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justice to a folio volume of dramatick dialogues in metre, which required a so much greater degree of accuracy?

But the worth of our contested volume also seems to be questioned, because the authority on which even such changes in it as are allowed to be judicious, is unknown. But if weight were granted to this argument, what support could be found for ancient Greek and Roman MSS. of various descriptions ? The names of their transcribers are alike undiscovered ; and yet their authority, when the readings they present are valuable, will feldom fail to be admitted. * Nay, further :-it is on all hands allowed, that what we style a younger and inferior MS. will occasionally correct the mistakes and supply the deficiencies of one of better note, and higher antiquity. Why, therefore, should not a book printed in 1632 be allowed the merit of equal services to a predecessor in 1623 ?

Such also, let us add, were the sentiments of a gentleman whose name we cannot repeat without a figh, which those who were acquainted with his value, will not suspect of insincerity: we mean our late excellent friend, Mr. Tyrwhitt. In his library was this second folio of our author's plays. He always stood forward as a determined advocate for its authority, on which, we believe, more than one of his emendations were formed. At least, we are certain that he never attempted any, before he had consulted it.

He was once, indeed, offered a large fragment of the first folio ; but in a few days he returned it, with an assurance that he did not perceive any decided superiority it could boast over its immediate successor,

as the metre, imperfect in the elder, was often restored to regularity in the junior impression.

Mr. Malone, however, in his Letter to Dr. Farmer, has styled these necessary corrections such“ as could not escape a person of the most ordinary capacity, who had been one month conversant with a printing-house;" a description mortifying enough to the present editors, who, after an acquaintance of many years with typographical mysteries, would be loath to weigh their own amendments against those which this second folio, with all its blunders, has displayed.

The fame gentleman alfo (see his Preface, p. 410) speaks with fome confidence of having proved his affertions relative to the worthlessness of this book. But how are these affertions proved? By exposing its errors (some of which nevertheless are of a very questionable fhape) and by observing a careful silence about its déserts. The latter surely should have been stated as well as the former. Otherwise, this proof will resemble the “ill-roasted egg” in As you like it, which was done only " on one side." -If, in the mean time, fome critical arithmetician can be found, who will impartially and intelligently ascertain by way of Dr and Cr the faults and merits of this book, and thereby prove the former to have been many, and the latter scarce any at all, we will most openly acknowledge our misapprehension, and subscribe (a circumstance of which we need not

8 Thus (as one instance out of several that might be produced) when Mr. Malone, in The Merry Wives of Windsor, very judiciously restores the uncommon word-ging, and supports it by instances from The New Inn and The Alchemift, he forbears to mention that such also is the reading of the fecond, though not of the first folio. See Vol. V. p. 106, 1.5. .

be afhàmed) to the superior sagacity and judgment of Mr. Malone.

To conclude, though we are far from asserting that this republication, generally considered, is preferable to its original, we must still regard it as a valuable supplement to that work; and no stronger plea in its favour can be advanced, than the frequent use made of it by Mr. Malone. The numerous corrections from it admitted by that gentleman into his text,9 and pointed out in his notes,

9 Amounting to (as we are informed by a very accurate compositor who undertook to count them) 186.

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Instances wherein Mr. Malone has admitted the Corrections

of the Second Folio.
Tempest ' .
Two Gentlemen of Verona ,
Merry Wives of Windsor .
Measure for Measure . .
Comedy of Errors
Much Ado about Nothing
Love's Labour's Lost i
Midsummer-Night's Dream
Merchant of Venice .
As you like it . .
Taming of the Shrew
All's well that ends well
Twelfth-Night . .
Winter's Tale . .
Macbeth . .
King John
King Richard II.
King Henry IV. Part I.

-II.
Aing nenty
King Henry V.

. . . . . . . . King Henry VI. Part I. . . .

II.

-III. . . , King Richard III.

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will, in our judgment, contribute to its eulogium ; at least cannot fail to rescue it from his prefatory imputations of being of no value whatever," and afterwards of not being worth three shillings.” 1 See Mr. Malone's Preface, and List of Editions of Shakspeare.

Our readers, it is hoped, will fo får honout us as to observe, that the foregoing opinions were not fuggested and defended through an ambitious spirit of contradiction. Mr. Malone's Preface, indeed, will abfolve us from that censure; for he allows them to be of a date previous to his own edition.

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PLYMŚÉLL. 1 This doctrine, however, appears to have made few profelytes : at least, some late catalogues of our good friends the booksellers, have expressed their diffent from it in terms of uncommon force. I must add, that on the 34th day of the auction of the late Dr. Farmer's library, this profcribed volume was fold for THREE GUÍNEAS ; and that in the sale of Mr. Allen's library, April the 15th, 1799, at Leigh and Sotheby's, York Street, Covent Garden, the four folio editions of our author's plays were disposed of at the following prices ::

Sale No.
1460. firit folio . • .. . £40 19 0.
61. 2d do. . . . . .

5.10 0. 62. 3d do.

. . . . . 5 15 6. 63, 4th dở. . . . . . . . 3 14 6, Vol. I.

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He, therefore, on this subject, is the assailant, and not the conductors of the present republication.

But though, in the course of succeeding strictures, several other of Mr. Malone's positions may be likewise controverted, some with seriousness, and fome with levity, (for our discussions are not of quite so solemn a turn as those which involve the interests of our country,) we feel an undissembled pleasure in avowing, that his remarks are at once so numerous and correct, that when criticism “ has done its worst,” their merit but in a small degree can be affected. We are confident, however, that he himself will hereafter join with us in considering no small proportion of our contested readings as a mere game at literary push-pin; and that if Shakspeare looks down upon our petty squabbles over his mangled scenes, it must be with feelings similar to those of Lucan's hero :

ridetque sui ludilria trunci. In the Preface of Mr. Malone, indeed, a direct censure has been levelled at incorrectness in the text of the edition 1778. The justice of the imputation is unequivocally allowed; but, at the same time, might not this acknowledgement be seconded by somewhat like a retort ? For is it certain that the collations, &c. of 1790 are wholly secure from similar charges ? Are they accompanied by no unauthorized readings, no omission of words, and transpositions ? Through all the plays, and especially those of which there is only a single copy, they have been with some diligence retraced, and the frailties of their collator, such as they are, have been ascertained. They shall not, however, be oftentatiously pointed out, and for this only reason:

Thąt as they decrease but little, if at all, the

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