Malone believed that the mention of the equivocator 'who committed treason enough for God's sake' was suggested by the trial of Garnett the Jesuit, in March 1606, for participation in the Gunpowder Plot, and that of the 'farmer who hanged himself on the expectation of plenty,' by the scarcity of corn in the autumn of the same year. The latter reference would be quite as apposite if we supposed it to be made to the abundant harvest of any other year, and the Jesuit doctrine of equivocation was at all times so favourite a theme of invective with Protestant preachers, that it could not but be familiar to the public, who in those days frequented the pulpit as assiduously as the stage. We have however a more precise indication in the Journal of Dr. Simon Forman (privately printed by Mr. Halliwell, from a manuscript in the Ashmolean Museum), who writes as follows: ‘In Macbeth, at the Globe, 1610, the 20th of April, Saturday, there was to be observed first how Macbeth and Banquo two noblemen of Scotland, riding through a wood, there stood before them three women, fairies or nymphs, and saluted Macbeth, saying three times unto him, Hail, Macbeth, king of Codor, for thou shall be a king, but shall beget no kings, &c. Then said Banquo, What, all to Macbeth and nothing to me? Yes, said the nymphs, Hail, to thee, Banquo; thou shall beget kings, yet be no king. And so they departed, and came to the Court of Scotland, to Duncan king of Scots, and it was in the days of Edward the Confessor. And Duncan bade them both kindly welcome, and made Macbeth [sic] forthwith Prince of Northumberland, and sent him home to his own castle, and appointed Macbeth to provide for him, for he would sup with him the next day at night, and did so. And Macbeth contrived to kill Duncan, and through the persuasion of his wife did that night murder the king in his own castle, being his guest. And there were many prodigies seen that night and the day before. And when Macbeth had murdered the king, the blood on his hands could not be washed off by any means, nor from his wife's hands, which handled the bloody daggers in hiding them, by which means they became both much amazed and affronted. The murder being known, Duncan's two sons fled, the one to England, the [other to] Wales, to save themselves; they being fled, they were supposed guilty of the murder of their father, which was nothing so. Then was Macbeth crowned king, and then he for fear of Banquo, his old companion, that he should beget kings but be no king himself, he contrived the death of Banquo, and caused him to be murdered on the way as he rode. The next night, being at supper with his noblemen, whom he had bid to a feast, to the which also Banquo should have come, he began to speak of noble Banquo, and to wish that he were there. And as he thus did, standing up to drink a carouse to him, the ghost of Banquo came and sat down in his chair behind him. And he, turning about to sit down again, saw the ghost of Banquo which fronted him so, that he fell in a great passion of fear and fury, uttering many words about his murder, by which, when they heard that Banquo was murdered, they suspected Macbeth. Then Macduff fled to England to the king's son, and so they raised an army and came into Scotland, and at Dunscenanyse overthrew Macbeth. In the mean time, while Macduff was in England, Macbeth slew Macduff's wife and children, and after, in the battle, Macduff slew Macbeth. Observe also how Macbeth's queen did rise in the night in her sleep, and walked, and talked and confessed all, and the Doctor noted her words.' We have given the foregoing passage with modern spelling and punctuation. We learn from it that Dr. Forman saw Macbeth for the first time on April 20, 1610. In all probability it was then a new play, otherwise he would scarcely have been at the pains to make an elaborate summary of its plot. And in those days the demand for and the supply of new plays were so great, that even the most popular play had not such a 'run' nor was so frequently 'revived' as at present. Besides, as we have shown, there is nothing to justify the inference, still less to prove, that Macbeth was produced at an In Beaumont and Fletcher's Knight of the ing Pestie, a burlesque produced in 1611, we find an alin to the ghost of Banquo. Jasper, one of the dunes, etes with his face mealed,' as his own ghost. to Testarevel, ti (lipa, ed. Dyce)- This the inference that Macbeth was in 1611 a new We now to to a question of greater interest-whether in his aberation of Macbeth, published 1673, sup din by Steevens in 1779. This play co- ted Dyce), Hecate says of Sebastian, who |
