Coleridge, Wordsworth, and the Language of AllusionClarendon Press, 1986 - 214 páginas In her study of two creative minds, Lucy Newlyn offers a startlingly new version of the poetic interaction between Coleridge and Wordsworth during the critical years from 1797 to 1807. Rejecting the traditional accounts, even those given by the poets themselves, which have minimized the differences between the two, Newlyn demonstrates that it is only on the most superficial level that each poet seemed to be the other's ideal audience. Below that surface, she insists, there were radical dissimilarities between the two which led to a kind of "creative" misunderstanding by which each artist clearly defined himself in relation to the other. Because it is in the poet's "private language" of allusion that these differences are most clearly seen, the book concludes that this "private language" spoken by artists amongst themselves may in fact be the most aggressive of literary forms. |
Contenido
Introduction The First Acquaintance of the Poets 17937 | 3 |
The Early Days at Alfoxden | 17 |
Alfoxden and the making of a | 32 |
Derechos de autor | |
Otras 7 secciones no mostradas
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Términos y frases comunes
Alfoxden allusion Ancient Mariner associationism becomes Biographia Book Five Borders of Vision Chapter child childhood claims clouds Coleridge's contrast creative David Pirie Dorothy Dorothy Wordsworth earlier earth echo Eolian fancy fear feel Foster Mother's Tale Frost at Midnight gaze gives glory Godwinian Goslar Grasmere Griggs Hartley Hartley Coleridge Hartley's heart hope human imagination implied Intimations italics Joan of Arc kind Lamb landscape language Leechgatherer Letter to Sara Lime Tree Bower living Lyrical Ballads metaphor Milton mood myth Nature Norton Prelude Notebooks offers pain passage passion Pedlar Peter Bell phrase poem poet poet's poetic poetry present recalls Recluse reference relationship Religious Musings response Ruined Cottage Salisbury Plain Samson Agonistes scene seems sense shared solipsism soul spirit stanza suggest symbolic takes thee things thou thought Tintern Abbey unease visionary William Wordsworth words Wordsworthian writing written
Referencias a este libro
Wordsworthian Errancies: The Poetics of Cultural Dismemberment David Collings Vista de fragmentos - 1994 |
Masters of Repetition: Poetry, Culture, and Work in Thomson, Wordsworth ... Lisa Malinowski Steinman Sin vista previa disponible - 1998 |