Shakespeare's Theory of Drama
Cambridge University Press, 1998 M07 23 - 218 páginas
Why did Shakespeare write drama? Did he have specific reasons for his choice of this art form? Did he have clearly defined aesthetic aims in what he wanted drama to do--and why? Kiernan opens a new area of debate in showing that Shakespeare rejected many of the theories of his age on poetry, history and art to create an original theory of drama. This lively, readable, but scholarly examination of works from different stages of the dramatist's career explores what Shakespeare wanted his drama to do and why.
Comentarios de la gente - Escribir un comentario
No encontramos ningún comentario en los lugares habituales.
Shakespeare and Sidney Two worlds the brazen and the golden
Shakespeare and Ovid What strained touches rhetoric can lend poetry metamorphosed in Venus and Adonis and the Sonnets
In scorn of nature art gave lifeless life exposing arts sterility The Rape of Lucrece The Winters Tale and The Tempest
Oerwrested seeming dramatic illusion and the repudiation of mimesis Loves Labours Lost A Midsummer Nights Dream and Hamlet
Thy registers and thee I both defy history challenged Richard III Henry VIII Henry V and Richard II
Otras ediciones - Ver todas
actor Antony and Cleopatra Antony's artist audience Berowne breath Caesar character Costard created criticism death describes doth dramatist earth emphasis Enobarbus false fiction flowers goddess Hamlet Hecuba Henry Hermione human body imagine imitation Ingram and Redpath insistence insubstantial invention King Leontes life-like literary living London Love's Labour's Lost Lucrece masque means Metamorphoses metaphor mimesis mimetic mimetic art mutability myth Narcissus narrative nature nature's Octavius original Orpheus Orphic Ovid Ovid's Ovidian Oxford painting past Perdita performance physical play's Plutarch poem poet poet's poetic poetry Polixenes present Prospero Pyramus Pyramus and Thisbe Rape of Lucrece reality remind Renaissance repr representation rhetoric Richard Richard II Rome says scene seems sense shadows Shakespeare Shakespeare's play Shakespearean drama Sidney Sonnet Sonnet 99 speak spectators speech stage statue suggest tell temporality theatre theatrical thou tion truth turned University Press Venus and Adonis verse Winter's Tale words writes
Todos los resultados de la Búsqueda de libros »
The Self-fashioning of an Early Modern Englishwoman: Mary Carleton's Lives
Mary Jo Kietzman
Sin vista previa disponible - 2004