Johnson as CriticRoutledge & K. Paul, 1973 - 472 páginas |
Dentro del libro
Resultados 1-3 de 84
Página 8
... writer generally ) was in a special class , or had powers or privileges denied to the rest of humanity . To him , the writer was a man among men , and the best man would in the end be the best writer . Johnson pioneered the large ...
... writer generally ) was in a special class , or had powers or privileges denied to the rest of humanity . To him , the writer was a man among men , and the best man would in the end be the best writer . Johnson pioneered the large ...
Página 12
... writer they were also interested in his personal life , in the circumstances in which he grew up , in the society in which he moved . Neo - classical criticism had concerned itself very little with the writer as a personality . Once he ...
... writer they were also interested in his personal life , in the circumstances in which he grew up , in the society in which he moved . Neo - classical criticism had concerned itself very little with the writer as a personality . Once he ...
Página 171
... writer , would be heard to the conclusion . I am indeed far from thinking , that his works were wrought to his own ideas of perfection ; when they were such as would satisfy the audience , they satisfied the writer . It is seldom that ...
... writer , would be heard to the conclusion . I am indeed far from thinking , that his works were wrought to his own ideas of perfection ; when they were such as would satisfy the audience , they satisfied the writer . It is seldom that ...
Contenido
JOHNSON ON SHAKESPEARE | 43 |
Note on the Text and Acknowledgment | 58 |
EARLY PERIODICAL CRITICISM | 59 |
Derechos de autor | |
Otras 51 secciones no mostradas
Términos y frases comunes
action admiration Aeneid ancient appears attention beauties blank verse censure character comedy common composition considered Cowley criticism death delight dialogue diction dignity diligence drama Dryden easily easy edition effect elegance endeavoured English English poetry Essay excellence exhibit expression eyes F. R. Leavis Falstaff fancy faults genius give harmony heaven hexameter Hudibras human Iliad images imagination imitation Johnson judgment kind King knowledge labour language learning lines literary literature lived Lycidas Macbeth Metaphysical poets Milton mind moral nature never numbers observed opinion original Othello Paradise Lost passages passions pastoral perhaps play pleasing pleasure poem poet poetical poetry Pope praise produced reader reason remarks rhyme Samson Samson Agonistes Samuel Johnson says scarcely scenes seems sense sentiments Shakespeare sometimes sound supposed syllables thee things thou thought tion tragedy translation truth versification Virgil virtue Warburton words writer written