Johnson as CriticRoutledge & K. Paul, 1973 - 472 páginas |
Dentro del libro
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Página 77
... thought necessary to refer descriptions of a rural state to remote times , nor can I perceive that any writer has consistently preserved the Arca- dian manners and sentiments . The only reason , that I have read , on which this rule has ...
... thought necessary to refer descriptions of a rural state to remote times , nor can I perceive that any writer has consistently preserved the Arca- dian manners and sentiments . The only reason , that I have read , on which this rule has ...
Página 384
... thought a line superfluous when he first wrote it , or contracted his work till his ebullitions of invention had ... thought , and to be told that he thought wrong . The event of every experiment is foreseen , and therefore the process ...
... thought a line superfluous when he first wrote it , or contracted his work till his ebullitions of invention had ... thought , and to be told that he thought wrong . The event of every experiment is foreseen , and therefore the process ...
Página 428
... thought , and exhibit many passages exquisitely beautiful . The Gem and the Flower will not easily be equalled . In the women's part are some defects ; the character of Atossa is not so neatly finished as that of Clodio ; and some of ...
... thought , and exhibit many passages exquisitely beautiful . The Gem and the Flower will not easily be equalled . In the women's part are some defects ; the character of Atossa is not so neatly finished as that of Clodio ; and some of ...
Contenido
JOHNSON ON SHAKESPEARE | 43 |
Note on the Text and Acknowledgment | 58 |
EARLY PERIODICAL CRITICISM | 59 |
Derechos de autor | |
Otras 51 secciones no mostradas
Términos y frases comunes
action admiration Aeneid ancient appears attention beauties blank verse censure character comedy common composition considered Cowley criticism death delight dialogue diction dignity diligence drama Dryden easily easy edition effect elegance endeavoured English English poetry Essay excellence exhibit expression eyes F. R. Leavis Falstaff fancy faults genius give harmony heaven hexameter Hudibras human Iliad images imagination imitation Johnson judgment kind King knowledge labour language learning lines literary literature lived Lycidas Macbeth Metaphysical poets Milton mind moral nature never numbers observed opinion original Othello Paradise Lost passages passions pastoral perhaps play pleasing pleasure poem poet poetical poetry Pope praise produced reader reason remarks rhyme Samson Samson Agonistes Samuel Johnson says scarcely scenes seems sense sentiments Shakespeare sometimes sound supposed syllables thee things thou thought tion tragedy translation truth versification Virgil virtue Warburton words writer written