Johnson as CriticRoutledge & K. Paul, 1973 - 472 páginas |
Dentro del libro
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Página 32
... rhymes uncertain , and the numbers unpleasing . ' Each of these three charges is true , from the point of view from which it ... rhyme with anything . These irregularities , which to us appear no more than ' a sweet disorder in the dress ...
... rhymes uncertain , and the numbers unpleasing . ' Each of these three charges is true , from the point of view from which it ... rhyme with anything . These irregularities , which to us appear no more than ' a sweet disorder in the dress ...
Página 297
... rhyme , was desirous of persuading himself that it is better . Rhyme , he says , and says truly , is no necessary adjunct of true poetry . But perhaps , of poetry as a mental operation , metre or music is no necessary adjunct : it is ...
... rhyme , was desirous of persuading himself that it is better . Rhyme , he says , and says truly , is no necessary adjunct of true poetry . But perhaps , of poetry as a mental operation , metre or music is no necessary adjunct : it is ...
Página 356
... rhyme in every couplet ; but is on a sudden surprised with three rhymes together , to which the reader could not accom- modate his voice , did he not obtain notice of the change from the braces of the margins . Surely there is something ...
... rhyme in every couplet ; but is on a sudden surprised with three rhymes together , to which the reader could not accom- modate his voice , did he not obtain notice of the change from the braces of the margins . Surely there is something ...
Contenido
JOHNSON ON SHAKESPEARE | 43 |
Note on the Text and Acknowledgment | 58 |
EARLY PERIODICAL CRITICISM | 59 |
Derechos de autor | |
Otras 51 secciones no mostradas
Términos y frases comunes
action admiration Aeneid ancient appears attention beauties blank verse censure character comedy common composition considered Cowley criticism death delight dialogue diction dignity diligence drama Dryden easily easy edition effect elegance endeavoured English English poetry Essay excellence exhibit expression eyes F. R. Leavis Falstaff fancy faults genius give harmony heaven hexameter Hudibras human Iliad images imagination imitation Johnson judgment kind King knowledge labour language learning lines literary literature lived Lycidas Macbeth Metaphysical poets Milton mind moral nature never numbers observed opinion original Othello Paradise Lost passages passions pastoral perhaps play pleasing pleasure poem poet poetical poetry Pope praise produced reader reason remarks rhyme Samson Samson Agonistes Samuel Johnson says scarcely scenes seems sense sentiments Shakespeare sometimes sound supposed syllables thee things thou thought tion tragedy translation truth versification Virgil virtue Warburton words writer written