Johnson as CriticRoutledge & K. Paul, 1973 - 472 páginas |
Dentro del libro
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Página 19
... means of expression that is characteristic of poetry , and another means that is characteristic of , say , oratory ( INTRODUCTION 19.
... means of expression that is characteristic of poetry , and another means that is characteristic of , say , oratory ( INTRODUCTION 19.
Página 107
... means universally necessary , that the personages should be either mean or corrupt , nor always requisite , that the action should be trivial , nor ever , that it should be fictitious . If the two kinds of dramatic poetry had been ...
... means universally necessary , that the personages should be either mean or corrupt , nor always requisite , that the action should be trivial , nor ever , that it should be fictitious . If the two kinds of dramatic poetry had been ...
Página 123
... mean or common thought expressed in pompous diction , generally pleases more than a new or noble sentiment delivered in ... means confined to the ignorant or superficial ; it operates uniformly and universally upon readers of all classes ...
... mean or common thought expressed in pompous diction , generally pleases more than a new or noble sentiment delivered in ... means confined to the ignorant or superficial ; it operates uniformly and universally upon readers of all classes ...
Contenido
JOHNSON ON SHAKESPEARE | 43 |
Note on the Text and Acknowledgment | 58 |
EARLY PERIODICAL CRITICISM | 59 |
Derechos de autor | |
Otras 51 secciones no mostradas
Términos y frases comunes
action admiration Aeneid ancient appears attention beauties blank verse censure character comedy common composition considered Cowley criticism death delight dialogue diction dignity diligence drama Dryden easily easy edition effect elegance endeavoured English English poetry Essay excellence exhibit expression eyes F. R. Leavis Falstaff fancy faults genius give harmony heaven hexameter Hudibras human Iliad images imagination imitation Johnson judgment kind King knowledge labour language learning lines literary literature lived Lycidas Macbeth Metaphysical poets Milton mind moral nature never numbers observed opinion original Othello Paradise Lost passages passions pastoral perhaps play pleasing pleasure poem poet poetical poetry Pope praise produced reader reason remarks rhyme Samson Samson Agonistes Samuel Johnson says scarcely scenes seems sense sentiments Shakespeare sometimes sound supposed syllables thee things thou thought tion tragedy translation truth versification Virgil virtue Warburton words writer written