Memoirs of the Life of John Philip Kemble, Esq: Including a History of the Stage, from the Time of Garrick to the Present Period, Volumen1R.H. Small, 1825 - 607 páginas |
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Página xiv
... stages peculiar to Dublin . The memory of no very aged persons may present , if closely urged , some not very brilliant impressions of the miserable pairs of flats that used to clap together on even the stage trodden by Mr. Garrick ...
... stages peculiar to Dublin . The memory of no very aged persons may present , if closely urged , some not very brilliant impressions of the miserable pairs of flats that used to clap together on even the stage trodden by Mr. Garrick ...
Página xv
Including a History of the Stage, from the Time of Garrick to the Present Period James Boaden. kindled a taste that may rest safely upon his measure for its indulgence , but which I hazard nothing in saying no power but some national ...
Including a History of the Stage, from the Time of Garrick to the Present Period James Boaden. kindled a taste that may rest safely upon his measure for its indulgence , but which I hazard nothing in saying no power but some national ...
Página xvii
... stage . His education . Notices of him at Douay . His studies . His memory . Original bent of mind . Gib- bon . Kemble . Comes to England . First efforts . Bishop Warbur- ton . pp . 1-11 CHAP . II . His York engagement . His writings ...
... stage . His education . Notices of him at Douay . His studies . His memory . Original bent of mind . Gib- bon . Kemble . Comes to England . First efforts . Bishop Warbur- ton . pp . 1-11 CHAP . II . His York engagement . His writings ...
Página 2
... stage , the young performer commence a life of pleasure or profligacy ; if he mix with the dissolute great or the tasteless vulgar , he will not long retain the de- sire or the power to cultivate his art . He will be contented with his ...
... stage , the young performer commence a life of pleasure or profligacy ; if he mix with the dissolute great or the tasteless vulgar , he will not long retain the de- sire or the power to cultivate his art . He will be contented with his ...
Página 10
Including a History of the Stage, from the Time of Garrick to the Present Period James Boaden. Shakspeare led him to bold experiments upon the text , and to interpretations of mere household words , by which a latent and profound meaning ...
Including a History of the Stage, from the Time of Garrick to the Present Period James Boaden. Shakspeare led him to bold experiments upon the text , and to interpretations of mere household words , by which a latent and profound meaning ...
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Términos y frases comunes
acted actor actress admired amusement appearance attended audience Bannister beautiful benefit better boxes called certainly character Charles Kemble charm Colman comedy comic Coriolanus Covent Garden Theatre critic delight display ditto dramatic dress Drury Lane Theatre effect entertainment excellent excited exhibited expression Falstaff fame fancy farce father feeling Garrick genius gentleman George Steevens grace Hamlet Harris Henderson honour interest JOHN PHILIP KEMBLE Jordan Kemble Kemble's King Lady Lord Macbeth manager manner ment merit mind Miss Farren nature never night occasion opera Othello Palmer passion perfect performance perhaps person piece play poet pounds present Prince Hoare proprietors racter reader remember Reynolds rival royal scene School for Scandal season seemed Shakspeare Sheridan Siddons sion spirit Spranger Barry stage Steevens talent taste Theatre Royal theatrical thing thought tion tragedy usual Vortigern whole writer young
Pasajes populares
Página 370 - twere with a defeated joy, With one auspicious and one dropping eye, With mirth in funeral and with dirge in marriage, In equal scale weighing delight and dole...
Página 58 - I have of late— but wherefore I know not— lost all my mirth, forgone all custom of exercises; and indeed it goes so heavily with my disposition that this goodly frame, the earth, seems to me a sterile promontory; this most excellent canopy, the air, look you, this brave o'erhanging firmament, this majestical roof fretted with golden fire, why, it appears no other thing to me than a foul and pestilent congregation of vapours.
Página 201 - Where be your gibes now? your gambols? your songs? your flashes of merriment, that were wont to set the table on a roar?
Página 38 - Sometimes it lieth in pat allusion to a known story, or in seasonable application of a trivial saying, or in forging an apposite tale : sometimes it playeth in words and phrases, taking advantage from the ambiguity of their sense, or the affinity of their sound.
Página 555 - A play read affects the mind like a play acted. It is therefore evident that the action is not supposed to be real; and it follows that between the acts a longer or shorter time may be allowed to pass, and that no more account of space or duration is to be taken by the auditor of a drama...
Página 89 - We are alarmed into reflection ; our minds (as it has long since been observed) are purified by terror and pity; our weak unthinking pride is humbled, under the dispensations of a mysterious wisdom. Some tears might be drawn from me, if such a spectacle were exhibited on the stage. I should be truly ashamed of finding in myself that superficial, theatric sense of painted distress, whilst I could exult over it in real life.
Página 65 - Angels and ministers of grace defend us! Be thou a spirit of health, or goblin damn'd, Bring with thee airs from heaven, or blasts from hell, Be thy intents wicked, or charitable, Thou com'st in such a questionable shape, That I will speak to thee...
Página 38 - ... an objection : sometimes it is couched in a bold scheme of speech, in a tart irony, in a lusty hyperbole, in a startling metaphor, in a plausible reconciling of contradictions, or in acute nonsense: sometimes a scenical representation of persons or things, a counterfeit speech, a mimical look or gesture passeth for it.
Página 38 - ... from a lucky hitting upon what is strange ; sometimes from a crafty wresting obvious matter to the purpose. Often it consisteth in one knows not what, and springeth up one can hardly tell how. Its ways are unaccountable, and inexplicable ; being answerable to the numberless rovings of fancy, and windings of language.
Página 354 - Thou clapp'st thy rattling fingers to thy sides. And when this solemn mockery is o'er, "With icy hand thou tak'st him by the feet, And upward, so, till thou dost reach the heart, And wrap him in the cloak of 'lasting night.