The Languages of Criticism and the Structure of PoetryUniversity of Toronto Press, 1953 - 214 páginas |
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Página 142
... writing the essay as I see it ought to be written . It exerts , that is , a kind of impersonal and objective power , which is at once compulsive and suggestive , over everything I attempt to do , until in the end I come out with a ...
... writing the essay as I see it ought to be written . It exerts , that is , a kind of impersonal and objective power , which is at once compulsive and suggestive , over everything I attempt to do , until in the end I come out with a ...
Página 181
... writer has indeed done , somehow , all the essential things he would need to do on the assumption that he is actually writing the kind of work we have defined , then to that extent the work is good , or at least not artistically bad ...
... writer has indeed done , somehow , all the essential things he would need to do on the assumption that he is actually writing the kind of work we have defined , then to that extent the work is good , or at least not artistically bad ...
Página 182
... writer had stated explicitly before or after writing or those which can be defined for the writer by saying that he must have intended to write this work because this is what he has written . The common objections to criticism based on ...
... writer had stated explicitly before or after writing or those which can be defined for the writer by saying that he must have intended to write this work because this is what he has written . The common objections to criticism based on ...
Contenido
contemporary criticism | 115 |
Toward a more adequate criticism | 140 |
NOTES | 195 |
Derechos de autor | |
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Términos y frases comunes
abstract action analysis analytical archetypal Aristotle Aristotle's artistic aspects assumption basic causes character characteristics Cleanth Brooks comedy completely concepts concern concrete construction contemporary critical language Critics and Criticism definition devices dialectic diction discourse discussion distinctive distinguished drama effect elements emotional especially essay essential example F. M. Cornford F. R. Leavis fact hence human hypothesis I. A. Richards imagery imaginative imitative inquiry interpretation J. I. M. Stewart Kenyon Review kind King Lear lecture literary literature logical lyric Macbeth material matter means merely method modes moral myth nature necessity Nicomachean Ethics Northrop Frye object particular patterns peculiar philosophic play pleasure plot plot-form poems poet poet's poetic structure possible practical criticism principles problem prose question R. P. Blackmur relation rhetoric ritual sense Shakespeare simply statements structure of poetry subject-matter symbolic theme theory things thought tion tragedy tragic whole Wilson Knight words writing