The Languages of Criticism and the Structure of PoetryUniversity of Toronto Press, 1953 - 214 páginas |
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Página 45
... result is reached , for the sake of which each prior thing is produced and exists . As with these productions of art , so also is it with the productions of nature . ... The fittest mode , then , of treatment is to say , a man has such ...
... result is reached , for the sake of which each prior thing is produced and exists . As with these productions of art , so also is it with the productions of nature . ... The fittest mode , then , of treatment is to say , a man has such ...
Página 55
... result , in reality , of a convergence of causes which in themselves have no necessary interconnections . Poets have in- tentions , but there is no inevitable correspondence between what a poem turns out to be and the original purpose ...
... result , in reality , of a convergence of causes which in themselves have no necessary interconnections . Poets have in- tentions , but there is no inevitable correspondence between what a poem turns out to be and the original purpose ...
Página 87
... result that comparisons of poetry with other kinds of linguistic discourse , which for Aristotle are devices of ... results stand in sharp contrast to those of Aristotle in several respects . The definitions , to begin with , are ...
... result that comparisons of poetry with other kinds of linguistic discourse , which for Aristotle are devices of ... results stand in sharp contrast to those of Aristotle in several respects . The definitions , to begin with , are ...
Contenido
contemporary criticism | 115 |
Toward a more adequate criticism | 140 |
NOTES | 195 |
Derechos de autor | |
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Términos y frases comunes
abstract action analysis analytical archetypal Aristotle Aristotle's artistic aspects assumption basic causes character characteristics Cleanth Brooks comedy completely concepts concern concrete construction contemporary critical language Critics and Criticism definition devices dialectic diction discourse discussion distinctive distinguished drama effect elements emotional especially essay essential example F. M. Cornford F. R. Leavis fact hence human hypothesis I. A. Richards imagery imaginative imitative inquiry interpretation J. I. M. Stewart Kenyon Review kind King Lear lecture literary literature logical lyric Macbeth material matter means merely method modes moral myth nature necessity Nicomachean Ethics Northrop Frye object particular patterns peculiar philosophic play pleasure plot plot-form poems poet poet's poetic structure possible practical criticism principles problem prose question R. P. Blackmur relation rhetoric ritual sense Shakespeare simply statements structure of poetry subject-matter symbolic theme theory things thought tion tragedy tragic whole Wilson Knight words writing