The Languages of Criticism and the Structure of PoetryUniversity of Toronto Press, 1953 - 214 páginas |
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Página 97
... qualities of diction and subject - matter that ought to be aimed at in different kinds of poems . The shift to a more generalized kind of criticism that began in the eighteenth century was marked , in its initial phase , by the ...
... qualities of diction and subject - matter that ought to be aimed at in different kinds of poems . The shift to a more generalized kind of criticism that began in the eighteenth century was marked , in its initial phase , by the ...
Página 107
... qualities " ; 188 and its vogue in contemporary criticism is certainly in part a consequence of the great influence of Mr. Richards . I would suggest , however , that such a view - a view which identifies the principle of poetic ...
... qualities " ; 188 and its vogue in contemporary criticism is certainly in part a consequence of the great influence of Mr. Richards . I would suggest , however , that such a view - a view which identifies the principle of poetic ...
Página 192
... qualities of writing - mirroring the souls of writers - for the sake of which most of us read or at any rate return to what we have read . It is a method that necessarily abstracts from history and hence requires to be supplemented by ...
... qualities of writing - mirroring the souls of writers - for the sake of which most of us read or at any rate return to what we have read . It is a method that necessarily abstracts from history and hence requires to be supplemented by ...
Contenido
contemporary criticism | 115 |
Toward a more adequate criticism | 140 |
NOTES | 195 |
Derechos de autor | |
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Términos y frases comunes
abstract action analysis analytical archetypal Aristotle Aristotle's artistic aspects assumption basic causes character characteristics Cleanth Brooks comedy completely concepts concern concrete construction contemporary critical language Critics and Criticism definition devices dialectic diction discourse discussion distinctive distinguished drama effect elements emotional especially essay essential example F. M. Cornford F. R. Leavis fact hence human hypothesis I. A. Richards imagery imaginative imitative inquiry interpretation J. I. M. Stewart Kenyon Review kind King Lear lecture literary literature logical lyric Macbeth material matter means merely method modes moral myth nature necessity Nicomachean Ethics Northrop Frye object particular patterns peculiar philosophic play pleasure plot plot-form poems poet poet's poetic structure possible practical criticism principles problem prose question R. P. Blackmur relation rhetoric ritual sense Shakespeare simply statements structure of poetry subject-matter symbolic theme theory things thought tion tragedy tragic whole Wilson Knight words writing