The Languages of Criticism and the Structure of PoetryUniversity of Toronto Press, 1953 - 214 páginas |
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Página 62
... poet - and which produces most intensely its " proper pleasure . " The conclusions in both cases are perforce general , and the problems of a poet , in writing an individual work , are always particular , inasmuch as his materials of ...
... poet - and which produces most intensely its " proper pleasure . " The conclusions in both cases are perforce general , and the problems of a poet , in writing an individual work , are always particular , inasmuch as his materials of ...
Página 68
... poetic dynamis that depends on the imitation of a sequence of human actions ; and this is the meaning of plot in Chapters 7 through 11 . In both senses plot is clearly something the poet constructs , the difference being that , whereas ...
... poetic dynamis that depends on the imitation of a sequence of human actions ; and this is the meaning of plot in Chapters 7 through 11 . In both senses plot is clearly something the poet constructs , the difference being that , whereas ...
Página 117
... poetic " embodiment in the poet's words . The " themes " will vary from poem to poem , and we shall see later how they may be identified or defined . All poems , novels , and dramas , we must insist , either have organizing themes or ...
... poetic " embodiment in the poet's words . The " themes " will vary from poem to poem , and we shall see later how they may be identified or defined . All poems , novels , and dramas , we must insist , either have organizing themes or ...
Contenido
contemporary criticism | 115 |
Toward a more adequate criticism | 140 |
NOTES | 195 |
Derechos de autor | |
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Términos y frases comunes
abstract action analysis analytical archetypal Aristotle Aristotle's artistic aspects assumption basic causes character characteristics Cleanth Brooks comedy completely concepts concern concrete construction contemporary critical language Critics and Criticism definition devices dialectic diction discourse discussion distinctive distinguished drama effect elements emotional especially essay essential example F. M. Cornford F. R. Leavis fact hence human hypothesis I. A. Richards imagery imaginative imitative inquiry interpretation J. I. M. Stewart Kenyon Review kind King Lear lecture literary literature logical lyric Macbeth material matter means merely method modes moral myth nature necessity Nicomachean Ethics Northrop Frye object particular patterns peculiar philosophic play pleasure plot plot-form poems poet poet's poetic structure possible practical criticism principles problem prose question R. P. Blackmur relation rhetoric ritual sense Shakespeare simply statements structure of poetry subject-matter symbolic theme theory things thought tion tragedy tragic whole Wilson Knight words writing