The Languages of Criticism and the Structure of PoetryUniversity of Toronto Press, 1953 - 214 páginas |
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Página 50
... poems con- sidered as products of art . They must , since poems are “ concrete wholes , " be definitions not simply of the form the poet aims at and not merely of the matter he uses but of the two as synthe- sized ; and they must ...
... poems con- sidered as products of art . They must , since poems are “ concrete wholes , " be definitions not simply of the form the poet aims at and not merely of the matter he uses but of the two as synthe- sized ; and they must ...
Página 99
... poems considered as objects of art or the relations either of poems to the characters and demands of audiences or of poetry to its origins in the imagination and sensibility of poets , but rather the relations of poems to the ...
... poems considered as objects of art or the relations either of poems to the characters and demands of audiences or of poetry to its origins in the imagination and sensibility of poets , but rather the relations of poems to the ...
Página 145
... poems is directed to the subsumption of their details of content and diction under one or another of these schemes ; or as when some figure of speech , such as metaphor , synecdoche , or irony , is fixed upon as the basic model of ...
... poems is directed to the subsumption of their details of content and diction under one or another of these schemes ; or as when some figure of speech , such as metaphor , synecdoche , or irony , is fixed upon as the basic model of ...
Contenido
contemporary criticism | 115 |
Toward a more adequate criticism | 140 |
NOTES | 195 |
Derechos de autor | |
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Términos y frases comunes
abstract action analysis analytical archetypal Aristotle Aristotle's artistic aspects assumption basic causes character characteristics Cleanth Brooks comedy completely concepts concern concrete construction contemporary critical language Critics and Criticism definition devices dialectic diction discourse discussion distinctive distinguished drama effect elements emotional especially essay essential example F. M. Cornford F. R. Leavis fact hence human hypothesis I. A. Richards imagery imaginative imitative inquiry interpretation J. I. M. Stewart Kenyon Review kind King Lear lecture literary literature logical lyric Macbeth material matter means merely method modes moral myth nature necessity Nicomachean Ethics Northrop Frye object particular patterns peculiar philosophic play pleasure plot plot-form poems poet poet's poetic structure possible practical criticism principles problem prose question R. P. Blackmur relation rhetoric ritual sense Shakespeare simply statements structure of poetry subject-matter symbolic theme theory things thought tion tragedy tragic whole Wilson Knight words writing