The Languages of Criticism and the Structure of PoetryUniversity of Toronto Press, 1953 - 214 páginas |
Dentro del libro
Resultados 1-3 de 88
Página 25
... nature . " Any critic who wants to make coherent sense about literary questions must evidently choose between these two methods of procedure , even if he remains unconscious that he is making the choice ; and as he chooses the one or ...
... nature . " Any critic who wants to make coherent sense about literary questions must evidently choose between these two methods of procedure , even if he remains unconscious that he is making the choice ; and as he chooses the one or ...
Página 50
... nature of " imitations " in general is obvious once we consider that we cannot imitate without having a certain natural form in mind which we are attempting to em- body in a medium of our own rather than of Nature's choosing , and that ...
... nature of " imitations " in general is obvious once we consider that we cannot imitate without having a certain natural form in mind which we are attempting to em- body in a medium of our own rather than of Nature's choosing , and that ...
Página 157
... nature is " poetic " in the sense that it is made up of parts similar to those of imitative poems and the formal nature is constituted of some particular thesis , intellectual or practical , relative to some general human interest , the ...
... nature is " poetic " in the sense that it is made up of parts similar to those of imitative poems and the formal nature is constituted of some particular thesis , intellectual or practical , relative to some general human interest , the ...
Contenido
contemporary criticism | 115 |
Toward a more adequate criticism | 140 |
NOTES | 195 |
Derechos de autor | |
Otras 1 secciones no mostradas
Otras ediciones - Ver todas
Términos y frases comunes
abstract action analysis analytical archetypal Aristotle Aristotle's artistic aspects assumption basic causes character characteristics Cleanth Brooks comedy completely concepts concern concrete construction contemporary critical language Critics and Criticism definition devices dialectic diction discourse discussion distinctive distinguished drama effect elements emotional especially essay essential example F. M. Cornford F. R. Leavis fact hence human hypothesis I. A. Richards imagery imaginative imitative inquiry interpretation J. I. M. Stewart Kenyon Review kind King Lear lecture literary literature logical lyric Macbeth material matter means merely method modes moral myth nature necessity Nicomachean Ethics Northrop Frye object particular patterns peculiar philosophic play pleasure plot plot-form poems poet poet's poetic structure possible practical criticism principles problem prose question R. P. Blackmur relation rhetoric ritual sense Shakespeare simply statements structure of poetry subject-matter symbolic theme theory things thought tion tragedy tragic whole Wilson Knight words writing