The Languages of Criticism and the Structure of PoetryUniversity of Toronto Press, 1953 - 214 páginas |
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Página 11
... mind to which the proposition is intended to be an answer . This again is obvious ; but what is commonly forgotten is that no question or problem , in turn , has any absolute status or isolable meaning , but is always relative , as to ...
... mind to which the proposition is intended to be an answer . This again is obvious ; but what is commonly forgotten is that no question or problem , in turn , has any absolute status or isolable meaning , but is always relative , as to ...
Página 29
... mind which reached its true heights of articulate imaginative richness in St. Augustine and Dante : to whom all the modes of the mind were equally parts and instruments of aesthetic experience , and each with a warrant to correct ...
... mind which reached its true heights of articulate imaginative richness in St. Augustine and Dante : to whom all the modes of the mind were equally parts and instruments of aesthetic experience , and each with a warrant to correct ...
Página 74
... mind than the fashion in which Aristotle disposes of the problem of diction : in three chapters ( 20-22 ) the first two of which resolve it into its elements , in- cluding metaphors , and the third of which deals with the criterion of ...
... mind than the fashion in which Aristotle disposes of the problem of diction : in three chapters ( 20-22 ) the first two of which resolve it into its elements , in- cluding metaphors , and the third of which deals with the criterion of ...
Contenido
contemporary criticism | 115 |
Toward a more adequate criticism | 140 |
NOTES | 195 |
Derechos de autor | |
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Términos y frases comunes
abstract action analysis analytical archetypal Aristotle Aristotle's artistic aspects assumption basic causes character characteristics Cleanth Brooks comedy completely concepts concern concrete construction contemporary critical language Critics and Criticism definition devices dialectic diction discourse discussion distinctive distinguished drama effect elements emotional especially essay essential example F. M. Cornford F. R. Leavis fact hence human hypothesis I. A. Richards imagery imaginative imitative inquiry interpretation J. I. M. Stewart Kenyon Review kind King Lear lecture literary literature logical lyric Macbeth material matter means merely method modes moral myth nature necessity Nicomachean Ethics Northrop Frye object particular patterns peculiar philosophic play pleasure plot plot-form poems poet poet's poetic structure possible practical criticism principles problem prose question R. P. Blackmur relation rhetoric ritual sense Shakespeare simply statements structure of poetry subject-matter symbolic theme theory things thought tion tragedy tragic whole Wilson Knight words writing