The Languages of Criticism and the Structure of PoetryUniversity of Toronto Press, 1953 - 214 páginas |
Dentro del libro
Resultados 1-3 de 48
Página xi
... literary tact of the critic himself . This , however , is the criticism of genius , and what holds true of it does not necessarily hold true , to the same extent at least , of the criticism which most of us attempt to practise , in ...
... literary tact of the critic himself . This , however , is the criticism of genius , and what holds true of it does not necessarily hold true , to the same extent at least , of the criticism which most of us attempt to practise , in ...
Página 23
... literary phenomena in terms of their essential and distinctive causes of production . Its starting - point is always some literary form or actuality that has been and hence can be achieved by art ( what- ever other prerequisites may be ...
... literary phenomena in terms of their essential and distinctive causes of production . Its starting - point is always some literary form or actuality that has been and hence can be achieved by art ( what- ever other prerequisites may be ...
Página 187
... literary history in particular might be radically transformed , and to great advantage , through the inclusion of what I have called the im- mediate artistic causes of literary productions along with the relatively more external and ...
... literary history in particular might be radically transformed , and to great advantage , through the inclusion of what I have called the im- mediate artistic causes of literary productions along with the relatively more external and ...
Contenido
contemporary criticism | 115 |
Toward a more adequate criticism | 140 |
NOTES | 195 |
Derechos de autor | |
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Términos y frases comunes
abstract action analysis analytical archetypal Aristotle Aristotle's artistic aspects assumption basic causes character characteristics Cleanth Brooks comedy completely concepts concern concrete construction contemporary critical language Critics and Criticism definition devices dialectic diction discourse discussion distinctive distinguished drama effect elements emotional especially essay essential example F. M. Cornford F. R. Leavis fact hence human hypothesis I. A. Richards imagery imaginative imitative inquiry interpretation J. I. M. Stewart Kenyon Review kind King Lear lecture literary literature logical lyric Macbeth material matter means merely method modes moral myth nature necessity Nicomachean Ethics Northrop Frye object particular patterns peculiar philosophic play pleasure plot plot-form poems poet poet's poetic structure possible practical criticism principles problem prose question R. P. Blackmur relation rhetoric ritual sense Shakespeare simply statements structure of poetry subject-matter symbolic theme theory things thought tion tragedy tragic whole Wilson Knight words writing