The Languages of Criticism and the Structure of PoetryUniversity of Toronto Press, 1953 - 214 páginas |
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Página 29
... imaginative richness in St. Augustine and Dante : to whom all the modes of the mind were equally parts and instruments of aesthetic experience , and each with a warrant to correct , modify , complete , and incarnate each of the other ...
... imaginative richness in St. Augustine and Dante : to whom all the modes of the mind were equally parts and instruments of aesthetic experience , and each with a warrant to correct , modify , complete , and incarnate each of the other ...
Página 117
... imaginative literature , a " total meaning " that is primarily of the poet's own making , however universally significant it may also be . Given such a work to be interpreted and judged in these terms , how can we proceed and what sort ...
... imaginative literature , a " total meaning " that is primarily of the poet's own making , however universally significant it may also be . Given such a work to be interpreted and judged in these terms , how can we proceed and what sort ...
Página 120
... imaginative vision . " Let us follow , then , this second line and consider what equip- ment we need and what we have to do in order to reveal the " symbolic structures " or " thematic frameworks " that lie , as our method must suppose ...
... imaginative vision . " Let us follow , then , this second line and consider what equip- ment we need and what we have to do in order to reveal the " symbolic structures " or " thematic frameworks " that lie , as our method must suppose ...
Contenido
contemporary criticism | 115 |
Toward a more adequate criticism | 140 |
NOTES | 195 |
Derechos de autor | |
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Términos y frases comunes
abstract action analysis analytical archetypal Aristotle Aristotle's artistic aspects assumption basic causes character characteristics Cleanth Brooks comedy completely concepts concern concrete construction contemporary critical language Critics and Criticism definition devices dialectic diction discourse discussion distinctive distinguished drama effect elements emotional especially essay essential example F. M. Cornford F. R. Leavis fact hence human hypothesis I. A. Richards imagery imaginative imitative inquiry interpretation J. I. M. Stewart Kenyon Review kind King Lear lecture literary literature logical lyric Macbeth material matter means merely method modes moral myth nature necessity Nicomachean Ethics Northrop Frye object particular patterns peculiar philosophic play pleasure plot plot-form poems poet poet's poetic structure possible practical criticism principles problem prose question R. P. Blackmur relation rhetoric ritual sense Shakespeare simply statements structure of poetry subject-matter symbolic theme theory things thought tion tragedy tragic whole Wilson Knight words writing