The Languages of Criticism and the Structure of PoetryUniversity of Toronto Press, 1953 - 214 páginas |
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Página 35
... human action , religion , science , philosophy , history , or rhetoric , though all these may be involved in its genesis and con- tent . We know , too , that what we call poetry is not all alike , even if collectively it appears to ...
... human action , religion , science , philosophy , history , or rhetoric , though all these may be involved in its genesis and con- tent . We know , too , that what we call poetry is not all alike , even if collectively it appears to ...
Página 48
... human productions , and not all of these are imitations in the stricter sense in which the word is used in the Poetics . For generally , as he says in the Physics , " art partly completes what nature cannot bring to a finish , and ...
... human productions , and not all of these are imitations in the stricter sense in which the word is used in the Poetics . For generally , as he says in the Physics , " art partly completes what nature cannot bring to a finish , and ...
Página 64
... human action , is a sufficient end alike for poets themselves and their readers . It is indeed a final end in two important senses - in the sense that it is an end peculiar to the poetic art rather than one imitative poetry shares with ...
... human action , is a sufficient end alike for poets themselves and their readers . It is indeed a final end in two important senses - in the sense that it is an end peculiar to the poetic art rather than one imitative poetry shares with ...
Contenido
contemporary criticism | 115 |
Toward a more adequate criticism | 140 |
NOTES | 195 |
Derechos de autor | |
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Términos y frases comunes
abstract action analysis analytical archetypal Aristotle Aristotle's artistic aspects assumption basic causes character characteristics Cleanth Brooks comedy completely concepts concern concrete construction contemporary critical language Critics and Criticism definition devices dialectic diction discourse discussion distinctive distinguished drama effect elements emotional especially essay essential example F. M. Cornford F. R. Leavis fact hence human hypothesis I. A. Richards imagery imaginative imitative inquiry interpretation J. I. M. Stewart Kenyon Review kind King Lear lecture literary literature logical lyric Macbeth material matter means merely method modes moral myth nature necessity Nicomachean Ethics Northrop Frye object particular patterns peculiar philosophic play pleasure plot plot-form poems poet poet's poetic structure possible practical criticism principles problem prose question R. P. Blackmur relation rhetoric ritual sense Shakespeare simply statements structure of poetry subject-matter symbolic theme theory things thought tion tragedy tragic whole Wilson Knight words writing