The Languages of Criticism and the Structure of PoetryUniversity of Toronto Press, 1953 - 214 páginas |
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Página 55
... given kind ; there are a good many possible techniques of poetic representation , but any one of these can be used with almost any type of object or poetic means ; and although some subjects have been charac- teristic of tragedy and ...
... given kind ; there are a good many possible techniques of poetic representation , but any one of these can be used with almost any type of object or poetic means ; and although some subjects have been charac- teristic of tragedy and ...
Página 154
... given state of mind . Here then is an intelligible , universally applicable , and ana- lytically powerful conception ... given form . But these , it is obvious , are questions of fact , the answers to which can never be given by any ...
... given state of mind . Here then is an intelligible , universally applicable , and ana- lytically powerful conception ... given form . But these , it is obvious , are questions of fact , the answers to which can never be given by any ...
Página 169
... given to these , to move our opinions and feelings in such - and - such a way . They will be of two sorts according as the questions to which they are answers relate to the principles by which poetic works have been constructed as ...
... given to these , to move our opinions and feelings in such - and - such a way . They will be of two sorts according as the questions to which they are answers relate to the principles by which poetic works have been constructed as ...
Contenido
contemporary criticism | 115 |
Toward a more adequate criticism | 140 |
NOTES | 195 |
Derechos de autor | |
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Términos y frases comunes
abstract action analysis analytical archetypal Aristotle Aristotle's artistic aspects assumption basic causes character characteristics Cleanth Brooks comedy completely concepts concern concrete construction contemporary critical language Critics and Criticism definition devices dialectic diction discourse discussion distinctive distinguished drama effect elements emotional especially essay essential example F. M. Cornford F. R. Leavis fact hence human hypothesis I. A. Richards imagery imaginative imitative inquiry interpretation J. I. M. Stewart Kenyon Review kind King Lear lecture literary literature logical lyric Macbeth material matter means merely method modes moral myth nature necessity Nicomachean Ethics Northrop Frye object particular patterns peculiar philosophic play pleasure plot plot-form poems poet poet's poetic structure possible practical criticism principles problem prose question R. P. Blackmur relation rhetoric ritual sense Shakespeare simply statements structure of poetry subject-matter symbolic theme theory things thought tion tragedy tragic whole Wilson Knight words writing