The Languages of Criticism and the Structure of PoetryUniversity of Toronto Press, 1953 - 214 páginas |
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Página 117
... formal or technical differences among poems are either irrelevant or have only a subordinate importance , as determining only the particular artistic means through which the writer's expressive intention or his insight into spiritual ...
... formal or technical differences among poems are either irrelevant or have only a subordinate importance , as determining only the particular artistic means through which the writer's expressive intention or his insight into spiritual ...
Página 144
... formal principles in poetry and be able to trace their consequences in the structures of particular poems , we must have terms in our criticism for more than the materials of subject- matter and language which poets use and the ...
... formal principles in poetry and be able to trace their consequences in the structures of particular poems , we must have terms in our criticism for more than the materials of subject- matter and language which poets use and the ...
Página 153
... formal nature is necessarily the more important as long as our concern is with the poem as a concrete object . On the one hand , we do not cease to talk about the matter of a poem when we examine its formal structure , and , on the ...
... formal nature is necessarily the more important as long as our concern is with the poem as a concrete object . On the one hand , we do not cease to talk about the matter of a poem when we examine its formal structure , and , on the ...
Contenido
contemporary criticism | 115 |
Toward a more adequate criticism | 140 |
NOTES | 195 |
Derechos de autor | |
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Términos y frases comunes
abstract action analysis analytical archetypal Aristotle Aristotle's artistic aspects assumption basic causes character characteristics Cleanth Brooks comedy completely concepts concern concrete construction contemporary critical language Critics and Criticism definition devices dialectic diction discourse discussion distinctive distinguished drama effect elements emotional especially essay essential example F. M. Cornford F. R. Leavis fact hence human hypothesis I. A. Richards imagery imaginative imitative inquiry interpretation J. I. M. Stewart Kenyon Review kind King Lear lecture literary literature logical lyric Macbeth material matter means merely method modes moral myth nature necessity Nicomachean Ethics Northrop Frye object particular patterns peculiar philosophic play pleasure plot plot-form poems poet poet's poetic structure possible practical criticism principles problem prose question R. P. Blackmur relation rhetoric ritual sense Shakespeare simply statements structure of poetry subject-matter symbolic theme theory things thought tion tragedy tragic whole Wilson Knight words writing