The Languages of Criticism and the Structure of PoetryUniversity of Toronto Press, 1953 - 214 páginas |
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Página 16
... follow from this that our central problem in discussing the plays would now be , as it was for Bradley , the recovery for each of them of what was in Shakespeare's mind when he wrote it , so that , as Bradley said , the action and the ...
... follow from this that our central problem in discussing the plays would now be , as it was for Bradley , the recovery for each of them of what was in Shakespeare's mind when he wrote it , so that , as Bradley said , the action and the ...
Página 46
... follows from all this , in the first place , that the primary con- cern of poetics will not be with the actual process of poetic creation but rather with the poetic reasoning - from the character of the end to be achieved to the ...
... follows from all this , in the first place , that the primary con- cern of poetics will not be with the actual process of poetic creation but rather with the poetic reasoning - from the character of the end to be achieved to the ...
Página 66
Ronald Salmon Crane. an analysis of the differences between it and tragedy that follow from its difference in ... follows turns on two principal questions , the first of which concerns the number and attributes of the parts or elements ...
Ronald Salmon Crane. an analysis of the differences between it and tragedy that follow from its difference in ... follows turns on two principal questions , the first of which concerns the number and attributes of the parts or elements ...
Contenido
contemporary criticism | 115 |
Toward a more adequate criticism | 140 |
NOTES | 195 |
Derechos de autor | |
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Términos y frases comunes
abstract action analysis analytical archetypal Aristotle Aristotle's artistic aspects assumption basic causes character characteristics Cleanth Brooks comedy completely concepts concern concrete construction contemporary critical language Critics and Criticism definition devices dialectic diction discourse discussion distinctive distinguished drama effect elements emotional especially essay essential example F. M. Cornford F. R. Leavis fact hence human hypothesis I. A. Richards imagery imaginative imitative inquiry interpretation J. I. M. Stewart Kenyon Review kind King Lear lecture literary literature logical lyric Macbeth material matter means merely method modes moral myth nature necessity Nicomachean Ethics Northrop Frye object particular patterns peculiar philosophic play pleasure plot plot-form poems poet poet's poetic structure possible practical criticism principles problem prose question R. P. Blackmur relation rhetoric ritual sense Shakespeare simply statements structure of poetry subject-matter symbolic theme theory things thought tion tragedy tragic whole Wilson Knight words writing