The Languages of Criticism and the Structure of PoetryUniversity of Toronto Press, 1953 - 214 páginas |
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Página 84
... expression of more powerful feeling than is possible in prose when such feeling is needed , and it permits at all times the expression of finer shades of feeling . A poem , then , is a statement in words in which special pains are taken ...
... expression of more powerful feeling than is possible in prose when such feeling is needed , and it permits at all times the expression of finer shades of feeling . A poem , then , is a statement in words in which special pains are taken ...
Página 100
... expression of truths or " values " not otherwise accessible to us , in the relatively narrow context of other modes of verbal discourse . They have proceeded consequently , in the fashion described earlier in this lecture , by fixing ...
... expression of truths or " values " not otherwise accessible to us , in the relatively narrow context of other modes of verbal discourse . They have proceeded consequently , in the fashion described earlier in this lecture , by fixing ...
Página 101
... expression of a particular kind of meaning ; but in both cases the characteristics ascribed to poetry will be such ... expressions in poetry tend to be " opaque " rather than " transparent " ; that the statements of poetry aim at a ...
... expression of a particular kind of meaning ; but in both cases the characteristics ascribed to poetry will be such ... expressions in poetry tend to be " opaque " rather than " transparent " ; that the statements of poetry aim at a ...
Contenido
contemporary criticism | 115 |
Toward a more adequate criticism | 140 |
NOTES | 195 |
Derechos de autor | |
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Términos y frases comunes
abstract action analysis analytical archetypal Aristotle Aristotle's artistic aspects assumption basic causes character characteristics Cleanth Brooks comedy completely concepts concern concrete construction contemporary critical language Critics and Criticism definition devices dialectic diction discourse discussion distinctive distinguished drama effect elements emotional especially essay essential example F. M. Cornford F. R. Leavis fact hence human hypothesis I. A. Richards imagery imaginative imitative inquiry interpretation J. I. M. Stewart Kenyon Review kind King Lear lecture literary literature logical lyric Macbeth material matter means merely method modes moral myth nature necessity Nicomachean Ethics Northrop Frye object particular patterns peculiar philosophic play pleasure plot plot-form poems poet poet's poetic structure possible practical criticism principles problem prose question R. P. Blackmur relation rhetoric ritual sense Shakespeare simply statements structure of poetry subject-matter symbolic theme theory things thought tion tragedy tragic whole Wilson Knight words writing