The Languages of Criticism and the Structure of PoetryUniversity of Toronto Press, 1953 - 214 páginas |
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Página 85
... discourse of almost any kind , and dealing with almost any content suited to a logical discourse " ; it is rather the " order of content " which distinguishes the " irrelevant local texture " of the poem from its " logical structure ...
... discourse of almost any kind , and dealing with almost any content suited to a logical discourse " ; it is rather the " order of content " which distinguishes the " irrelevant local texture " of the poem from its " logical structure ...
Página 87
... discourse discloses . They have set out to define poetry in general , and they have taken as their genus what , in Aristotle , is the differentia separating poetry from other non - linguistic modes of artistic imitation , with the ...
... discourse discloses . They have set out to define poetry in general , and they have taken as their genus what , in Aristotle , is the differentia separating poetry from other non - linguistic modes of artistic imitation , with the ...
Página 89
... discourse that goes beyond a single utterance , is arrangement.97 If poetry is to be studied in terms of its character as discourse , in a context of other modes of verbal statement , these are indeed the primary elements to which the ...
... discourse that goes beyond a single utterance , is arrangement.97 If poetry is to be studied in terms of its character as discourse , in a context of other modes of verbal statement , these are indeed the primary elements to which the ...
Contenido
contemporary criticism | 115 |
Toward a more adequate criticism | 140 |
NOTES | 195 |
Derechos de autor | |
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Términos y frases comunes
abstract action analysis analytical archetypal Aristotle Aristotle's artistic aspects assumption basic causes character characteristics Cleanth Brooks comedy completely concepts concern concrete construction contemporary critical language Critics and Criticism definition devices dialectic diction discourse discussion distinctive distinguished drama effect elements emotional especially essay essential example F. M. Cornford F. R. Leavis fact hence human hypothesis I. A. Richards imagery imaginative imitative inquiry interpretation J. I. M. Stewart Kenyon Review kind King Lear lecture literary literature logical lyric Macbeth material matter means merely method modes moral myth nature necessity Nicomachean Ethics Northrop Frye object particular patterns peculiar philosophic play pleasure plot plot-form poems poet poet's poetic structure possible practical criticism principles problem prose question R. P. Blackmur relation rhetoric ritual sense Shakespeare simply statements structure of poetry subject-matter symbolic theme theory things thought tion tragedy tragic whole Wilson Knight words writing