The Languages of Criticism and the Structure of PoetryUniversity of Toronto Press, 1953 - 214 páginas |
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Página 69
... character and thought , in a continuous sequence of speeches , and then , in subsequent rewritings , reconsider each of the speeches to see how it would properly go if the characters of the speakers were particularized further in such ...
... character and thought , in a continuous sequence of speeches , and then , in subsequent rewritings , reconsider each of the speeches to see how it would properly go if the characters of the speakers were particularized further in such ...
Página 73
... character " in tragedy - when character is viewed not as one of the determinants of plot ( as in Chapter 13 ) but as a form to be achieved in the speeches out of the materials of diction and thought - is a problem primarily of what ...
... character " in tragedy - when character is viewed not as one of the determinants of plot ( as in Chapter 13 ) but as a form to be achieved in the speeches out of the materials of diction and thought - is a problem primarily of what ...
Página 154
... character , of character and thought in words as the matter of action or emotion , and so on up to but not including the over- all form which synthesizes all these subordinate elements , formally effective in themselves , into a ...
... character , of character and thought in words as the matter of action or emotion , and so on up to but not including the over- all form which synthesizes all these subordinate elements , formally effective in themselves , into a ...
Contenido
contemporary criticism | 115 |
Toward a more adequate criticism | 140 |
NOTES | 195 |
Derechos de autor | |
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Términos y frases comunes
abstract action analysis analytical archetypal Aristotle Aristotle's artistic aspects assumption basic causes character characteristics Cleanth Brooks comedy completely concepts concern concrete construction contemporary critical language Critics and Criticism definition devices dialectic diction discourse discussion distinctive distinguished drama effect elements emotional especially essay essential example F. M. Cornford F. R. Leavis fact hence human hypothesis I. A. Richards imagery imaginative imitative inquiry interpretation J. I. M. Stewart Kenyon Review kind King Lear lecture literary literature logical lyric Macbeth material matter means merely method modes moral myth nature necessity Nicomachean Ethics Northrop Frye object particular patterns peculiar philosophic play pleasure plot plot-form poems poet poet's poetic structure possible practical criticism principles problem prose question R. P. Blackmur relation rhetoric ritual sense Shakespeare simply statements structure of poetry subject-matter symbolic theme theory things thought tion tragedy tragic whole Wilson Knight words writing