The Languages of Criticism and the Structure of PoetryUniversity of Toronto Press, 1953 - 214 páginas |
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Página 120
... Macbeth founds his career " and the " irrational " forces in life which Macbeth and Lady Macbeth have left out of account in their conspiracy to capture " the future " for themselves.166 An- other critic has applied the same method , in ...
... Macbeth founds his career " and the " irrational " forces in life which Macbeth and Lady Macbeth have left out of account in their conspiracy to capture " the future " for themselves.166 An- other critic has applied the same method , in ...
Página 172
... Macbeth is that of a man , not naturally depraved , who has fallen under the compulsive power of an imagined better state for himself which he can attain only by acting contrary to his normal habits and feelings ; who attains this state ...
... Macbeth is that of a man , not naturally depraved , who has fallen under the compulsive power of an imagined better state for himself which he can attain only by acting contrary to his normal habits and feelings ; who attains this state ...
Página 173
... Macbeth's soliloquies . But it will clearly be better if the dual effect can be sustained until the very end ; and this requires , on the one hand , that we should be vividly reminded once more of Macbeth's crimes and the justified ...
... Macbeth's soliloquies . But it will clearly be better if the dual effect can be sustained until the very end ; and this requires , on the one hand , that we should be vividly reminded once more of Macbeth's crimes and the justified ...
Contenido
contemporary criticism | 115 |
Toward a more adequate criticism | 140 |
NOTES | 195 |
Derechos de autor | |
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Términos y frases comunes
abstract action analysis analytical archetypal Aristotle Aristotle's artistic aspects assumption basic causes character characteristics Cleanth Brooks comedy completely concepts concern concrete construction contemporary critical language Critics and Criticism definition devices dialectic diction discourse discussion distinctive distinguished drama effect elements emotional especially essay essential example F. M. Cornford F. R. Leavis fact hence human hypothesis I. A. Richards imagery imaginative imitative inquiry interpretation J. I. M. Stewart Kenyon Review kind King Lear lecture literary literature logical lyric Macbeth material matter means merely method modes moral myth nature necessity Nicomachean Ethics Northrop Frye object particular patterns peculiar philosophic play pleasure plot plot-form poems poet poet's poetic structure possible practical criticism principles problem prose question R. P. Blackmur relation rhetoric ritual sense Shakespeare simply statements structure of poetry subject-matter symbolic theme theory things thought tion tragedy tragic whole Wilson Knight words writing