Morality of Fiction: Or, An Inquiry Into the Tendency of Fictitious Narratives, with Observations on Some of the Most EminentMundell, 1805 - 174 páginas |
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Página 25
... sentiments of interest and admiration , should enter into the views by which he is guided , and be formed insensibly to the same mode of thinking and acting . Besides , we never think of requiring the mo- ralist to bring down his ...
... sentiments of interest and admiration , should enter into the views by which he is guided , and be formed insensibly to the same mode of thinking and acting . Besides , we never think of requiring the mo- ralist to bring down his ...
Página 34
... degree . A weak and foolish good man could extort no appro- bation that was not mingled with contempt . He could never , at least , excite any of those Be- sentiments which lead to imitation . sides , as 34 Intellectual endowments.
... degree . A weak and foolish good man could extort no appro- bation that was not mingled with contempt . He could never , at least , excite any of those Be- sentiments which lead to imitation . sides , as 34 Intellectual endowments.
Página 35
... sentiments which lead to imitation . sides , as this is , in a great degree , an ac- quired excellence , it is proper that the reader should be prompted to use every means of improving it in himself . With this view , these attainments ...
... sentiments which lead to imitation . sides , as this is , in a great degree , an ac- quired excellence , it is proper that the reader should be prompted to use every means of improving it in himself . With this view , these attainments ...
Página 40
... which true wisdom points out . A crowd of incidents will leave little room for the display of character and sentiment , or any higher beauties , of which this kind of writing is susceptible . Even supposing them to exist there 40.
... which true wisdom points out . A crowd of incidents will leave little room for the display of character and sentiment , or any higher beauties , of which this kind of writing is susceptible . Even supposing them to exist there 40.
Página 44
... sentiments of the actors , must make them , as it were , his own . His mind must therefore , as much as possible , be free from any kind of restraint . Besides , the reader might be apt to revolt against his appearing as a dic- tator in ...
... sentiments of the actors , must make them , as it were , his own . His mind must therefore , as much as possible , be free from any kind of restraint . Besides , the reader might be apt to revolt against his appearing as a dic- tator in ...
Otras ediciones - Ver todas
Morality of Fiction: Or, An Inquiry Into the Tendency of Fictitious ... Hugh Murray Vista completa - 1805 |
Morality of Fiction: Or, An Inquiry Into the Tendency of Fictitious ... Hugh Murray Vista completa - 1805 |
Morality of Fiction: Or, An Inquiry Into the Tendency of Fictitious ... Hugh Murray Vista completa - 1805 |
Términos y frases comunes
acquainted action admiration Æneid affords agreeable altogether amiable amusing appear beauties cern certainly character chiefly chivalry circumstance composition conduct connected considered danger degree discover display disposition doubt effects elegant eminent emotion epic poetry example excels exhibit favour favourite feeling fiction fictitious former frequently genius Gil Blas give Greece habit Heloise hero Homer human nature Iliad impression improvement instruction interesting latter leading less Lord Kaimes Madame de Genlis mankind manners MARIVAUX means merit mind mode of writing moral narrative neral observation opinion passion pathetic powers peculiar perfection perform perhaps poem poetical poetry portunity possess principle probably produced propensity proper qualities quire racter reader real events reason refined regard respect rhymes rience Roger de Coverley romances seems sentiments shew species spectator story superior tain taste Telemachus tend tendency thing thor tion Tom Jones truth turally vice Virgil virtue virtuous writer Xenophon
Pasajes populares
Página 163 - THE curfew tolls the knell of parting day, The lowing herd wind slowly o'er the lea, The plowman homeward plods his weary way, And leaves the world to darkness and to me. Now fades the glimmering landscape on the sight, And all the air a solemn stillness holds, Save where the beetle wheels his droning flight, And drowsy tinklings lull the distant folds...
Página 167 - I care not, fortune, what you me deny ; You cannot rob me of free nature's grace ; You cannot shut the windows of the sky, Through which Aurora shows her brightening face, You cannot bar my constant feet to trace The woods and lawns, by living stream, at eve : Let health my nerves and finer fibres brace, And I their toys to the great children leave : Of fancy, reason, virtue, nought can me bereave.
Página 165 - With vain attempt. Him the Almighty Power Hurled headlong flaming from the ethereal sky With hideous ruin and combustion down To bottomless perdition, there to dwell In adamantine* chains and penal fire, Who durst defy the Omnipotent to arms.
Página 168 - And missing thee, I walk unseen On the dry smooth-shaven green. To behold the wandering moon, Riding near her highest noon. Like one that had been led astray Through the heaven's wide pathless way, And oft, as if her head she bowed, Stooping through a fleecy cloud.
Página 158 - In narratives, where historical veracity has no place* I cannot discover, why there should not be exhibited the most perfect idea of virtue ; of virtue not angelical, nor above probability, for what we cannot credit we shall never imitate ; but the highest and purest that humanity can reach...
Página 158 - Vice, for vice is necessary to be shewn, should always disgust; nor should the graces of gaiety, or the dignity of courage, be so united with it, as to reconcile it to the mind. Wherever it appears, it should raise hatred by the malignity of its practices, and contempt by the meanness of its stratagems; for while it is supported by either parts or spirit, it will be seldom heartily abhorred.
Página 164 - He spoke, and awful bends his sable brows, Shakes his ambrosial curls, and gives the nod, The stamp of fate, and sanction of the god : High Heaven with trembling the dread signal took, And all Olympus to the centre shook.
Página 157 - ... made perfectly detestable, because they never could be wholly divested of their excellencies; but such have been in all ages the great corrupters of the world, and their resemblance ought no more to be preserved, than the art of murdering without pain.
Página 155 - But if the power of example is so great as to take possession of the memory by a kind of violence, and produce effects almost without the intervention of the will, care ought to be taken that, when the choice is unrestrained, the best examples only should be exhibited ; and that which is likely to operate so strongly should not be mischievous or uncertain in its effects.
Página 155 - It is justly considered as the greatest excellency of art to imitate nature ; but it is necessary to distinguish those parts of nature which are most proper for imitation : greater care is still required in representing life, which is so often discoloured by passion or deformed by wickedness.