An Exploration of a New Poetic Expression Beyond DichotomyUniversal-Publishers, 2004 - 404 páginas This study attempts to re-evaluate Lawrence's poetry, which has often been read as a set of biographical documents or supplementary notes to his novels, as fully independent literary work in the light of post-modern critical theory. The author carefully examines how Lawrence needed to misread his precursors, the nineteenth-century Romantics, to establish himself as one of the modern poets. What separates his poetry from his precursors' is his self-consciousness as a modern poet. His search for radical freedom in language and his meta-poetic exploration of a new poetic expression make him a true pioneer of the "terra incognita" in English poetry. |
Dentro del libro
Resultados 1-5 de 37
Página 14
... voice and the other voice are entwined and confused . The contours grow dim : our thinking is imperceptibly transformed into something that we cannot control completely : and our ego gives place to an unnamed pronoun , which is not ...
... voice and the other voice are entwined and confused . The contours grow dim : our thinking is imperceptibly transformed into something that we cannot control completely : and our ego gives place to an unnamed pronoun , which is not ...
Página 15
... voice " and " an unnamed pronoun , " is respected and also adored by poets . However , easy absolutisation of it may lead to negation of the poet's " ego . " How then , did Lawrence deal with this contradictory relation between ...
... voice " and " an unnamed pronoun , " is respected and also adored by poets . However , easy absolutisation of it may lead to negation of the poet's " ego . " How then , did Lawrence deal with this contradictory relation between ...
Página 20
... my shoulders and my feet ? There's no way . Ah , nightingale , my voice Could never touch your spinning notes , Nor be so clear . ( 11. 1-10 ) Page 21 In the poem quoted above , the speaker Shin'ichiro Ishikawa , Poems of D. H. Lawrence.
... my shoulders and my feet ? There's no way . Ah , nightingale , my voice Could never touch your spinning notes , Nor be so clear . ( 11. 1-10 ) Page 21 In the poem quoted above , the speaker Shin'ichiro Ishikawa , Poems of D. H. Lawrence.
Página 21
... voice is stilled , Your step will remain about to fall . So will your voice vibrate And its edge cut the surface , So , then , will the dark cloth of your hair Flow uneasily behind you . ( ll. 1-8 ) As implied in the words such as ...
... voice is stilled , Your step will remain about to fall . So will your voice vibrate And its edge cut the surface , So , then , will the dark cloth of your hair Flow uneasily behind you . ( ll. 1-8 ) As implied in the words such as ...
Página 22
... Voice ' ( Dylan Thomas : The Poems 231-32 ) , Thomas writes as follows : I have come to catch your voice , Your constructed notes going out of the throat With dry , mechanical gestures , To catch the shaft Although it is so straight and ...
... Voice ' ( Dylan Thomas : The Poems 231-32 ) , Thomas writes as follows : I have come to catch your voice , Your constructed notes going out of the throat With dry , mechanical gestures , To catch the shaft Although it is so straight and ...
Contenido
7 | |
14 | |
THE POETS SEEK FOR A WAY TO APPROACH | 88 |
A STRATEGY TO OVERCOME LOGOCENTRICISM | 164 |
THE POETS RHETORICAL STRATEGY TO OVERCOME | 281 |
Términos y frases comunes
act of perception act of poetry ambiguity Amit Chaudhuri anti-language attention Beasts and Flowers Birds blue darkness blueness buffer zone colour terms Corot critics cypresses D. H. Lawrence Demon Liberated dichotomy Dylan Thomas element Etruria Etruscan Etruscan language expression feeling fish freedom in language Gail Porter Gail Porter Mandell Gentians Gilbert Hitoshi Kaneyama human includes the articles inspiration intuition Jillian de Vries-Mason John Keats Joyce Carol Oates Kaneyama Keats Keith Sagar kind Lawrence's poems light and darkness logical M. J. Lockwood Mackey modern moon mosquito Murfin negate object perceive Philip Hobsbaum poet poet's subjectivity poetic Poetry of D. H. poetry writing precursors realise Rita Saldanha Romantic Sandra Section seems seen semantic sense Ship of Death snake Song speaker stanza suggests symbol symbolises Takeo Iida textual Tom Marshall trees twilight viewpoint wind Women in Love words writes as follows 東京
Pasajes populares
Página 17 - Past the near meadows, over the still stream, Up the hill-side; and now 'tis buried deep In the next valley-glades: Was it a vision, or a waking dream?