An Exploration of a New Poetic Expression Beyond DichotomyUniversal-Publishers, 2004 - 404 páginas This study attempts to re-evaluate Lawrence's poetry, which has often been read as a set of biographical documents or supplementary notes to his novels, as fully independent literary work in the light of post-modern critical theory. The author carefully examines how Lawrence needed to misread his precursors, the nineteenth-century Romantics, to establish himself as one of the modern poets. What separates his poetry from his precursors' is his self-consciousness as a modern poet. His search for radical freedom in language and his meta-poetic exploration of a new poetic expression make him a true pioneer of the "terra incognita" in English poetry. |
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Resultados 1-5 de 35
Página 29
... secret sin ... In those early days — for I was very green and unsophisticated at twenty — I used to feel myself at times haunted by something , and a little guilty about it , as if it were an abnormality . Then the haunting would get ...
... secret sin ... In those early days — for I was very green and unsophisticated at twenty — I used to feel myself at times haunted by something , and a little guilty about it , as if it were an abnormality . Then the haunting would get ...
Página 31
... secret sin " for the poet . Although the poet is said to have been " slightly self conscious " at the earliest stage , he is still considerably self - conscious . Lawrence's subjective self - consciousness as a modern poet eventually ...
... secret sin " for the poet . Although the poet is said to have been " slightly self conscious " at the earliest stage , he is still considerably self - conscious . Lawrence's subjective self - consciousness as a modern poet eventually ...
Página 32
... secret sin , " produces nothing more than an " incoherent poem . " Actually , in some of his letters , we find that Lawrence persists in preserving his subjectivity and self - consciousness in the act of poetry writing . We will limit ...
... secret sin , " produces nothing more than an " incoherent poem . " Actually , in some of his letters , we find that Lawrence persists in preserving his subjectivity and self - consciousness in the act of poetry writing . We will limit ...
Página 43
Lo sentimos, el contenido de esta página está restringido..
Lo sentimos, el contenido de esta página está restringido..
Página 47
Lo sentimos, el contenido de esta página está restringido..
Lo sentimos, el contenido de esta página está restringido..
Contenido
| 7 | |
| 14 | |
THE POETS SEEK FOR A WAY TO APPROACH | 88 |
A STRATEGY TO OVERCOME LOGOCENTRICISM | 164 |
THE POETS RHETORICAL STRATEGY TO OVERCOME | 281 |
Términos y frases comunes
act of perception act of poetry ambiguity Amit Chaudhuri anti-language attention Beasts and Flowers Birds blue darkness blueness buffer zone colour terms Corot critics cypresses D. H. Lawrence Demon Liberated dichotomy Dylan Thomas element Etruria Etruscan Etruscan language expression feeling fish freedom in language Gail Porter Gail Porter Mandell Gentians Gilbert Hitoshi Kaneyama human includes the articles inspiration intuition Jillian de Vries-Mason John Keats Joyce Carol Oates Kaneyama Keats Keith Sagar kind Lawrence's poems light and darkness logical M. J. Lockwood Mackey modern moon mosquito Murfin negate object perceive Philip Hobsbaum poet poet's subjectivity poetic Poetry of D. H. poetry writing precursors realise Rita Saldanha Romantic Sandra Section seems seen semantic sense Ship of Death snake Song speaker stanza suggests symbol symbolises Takeo Iida textual Tom Marshall trees twilight viewpoint wind Women in Love words writes as follows 東京
Pasajes populares
Página 17 - Past the near meadows, over the still stream, Up the hill-side; and now 'tis buried deep In the next valley-glades: Was it a vision, or a waking dream?