An Exploration of a New Poetic Expression Beyond DichotomyUniversal-Publishers, 2004 - 404 páginas This study attempts to re-evaluate Lawrence's poetry, which has often been read as a set of biographical documents or supplementary notes to his novels, as fully independent literary work in the light of post-modern critical theory. The author carefully examines how Lawrence needed to misread his precursors, the nineteenth-century Romantics, to establish himself as one of the modern poets. What separates his poetry from his precursors' is his self-consciousness as a modern poet. His search for radical freedom in language and his meta-poetic exploration of a new poetic expression make him a true pioneer of the "terra incognita" in English poetry. |
Dentro del libro
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Página 10
... regard his poems as a kind of biographical record is partly caused by the poet himself . In the preface to Collected Poems published in 1928 , Lawrence describes his collected poems as " a biography of an emotional and inner life " of ...
... regard his poems as a kind of biographical record is partly caused by the poet himself . In the preface to Collected Poems published in 1928 , Lawrence describes his collected poems as " a biography of an emotional and inner life " of ...
Página 13
... regard language as a reliable foundation for poetry writing . Lawrence , on the other hand , discerns its oppressive nature , and how it limits vitality and the variety of the world as an object . He searches for a way to enliven ...
... regard language as a reliable foundation for poetry writing . Lawrence , on the other hand , discerns its oppressive nature , and how it limits vitality and the variety of the world as an object . He searches for a way to enliven ...
Página 24
... regard inspiration ? In the following sections , we will take up some of his writings in which his idea about inspiration can be observed , and make an attempt to clarify his own standpoint compared with his precursors and successor ...
... regard inspiration ? In the following sections , we will take up some of his writings in which his idea about inspiration can be observed , and make an attempt to clarify his own standpoint compared with his precursors and successor ...
Página 25
... regards the demon as an " outburst of personal feeling " which needs " the discipline of craft to become a poem " ; and the young man as " the poet as craftsman " ( 255 ) . Meanwhile , Gilbert insists that his earlier pieces actually ...
... regards the demon as an " outburst of personal feeling " which needs " the discipline of craft to become a poem " ; and the young man as " the poet as craftsman " ( 255 ) . Meanwhile , Gilbert insists that his earlier pieces actually ...
Página 26
... regard the demon as a metaphor for poetic inspiration as a dominant element in the act of poetry writing . Our viewpoint also seems to be corroborated by the comment by Rita Saldanha , who identifies the demon with " the unconscious ...
... regard the demon as a metaphor for poetic inspiration as a dominant element in the act of poetry writing . Our viewpoint also seems to be corroborated by the comment by Rita Saldanha , who identifies the demon with " the unconscious ...
Contenido
7 | |
14 | |
THE POETS SEEK FOR A WAY TO APPROACH | 88 |
A STRATEGY TO OVERCOME LOGOCENTRICISM | 164 |
THE POETS RHETORICAL STRATEGY TO OVERCOME | 281 |
Términos y frases comunes
act of perception act of poetry ambiguity Amit Chaudhuri anti-language attention Beasts and Flowers Birds blue darkness blueness buffer zone colour terms Corot critics cypresses D. H. Lawrence Demon Liberated dichotomy Dylan Thomas element Etruria Etruscan Etruscan language expression feeling fish freedom in language Gail Porter Gail Porter Mandell Gentians Gilbert Hitoshi Kaneyama human includes the articles inspiration intuition Jillian de Vries-Mason John Keats Joyce Carol Oates Kaneyama Keats Keith Sagar kind Lawrence's poems light and darkness logical M. J. Lockwood Mackey modern moon mosquito Murfin negate object perceive Philip Hobsbaum poet poet's subjectivity poetic Poetry of D. H. poetry writing precursors realise Rita Saldanha Romantic Sandra Section seems seen semantic sense Ship of Death snake Song speaker stanza suggests symbol symbolises Takeo Iida textual Tom Marshall trees twilight viewpoint wind Women in Love words writes as follows 東京
Pasajes populares
Página 17 - Past the near meadows, over the still stream, Up the hill-side; and now 'tis buried deep In the next valley-glades: Was it a vision, or a waking dream?