An Exploration of a New Poetic Expression Beyond DichotomyUniversal-Publishers, 2004 - 404 páginas This study attempts to re-evaluate Lawrence's poetry, which has often been read as a set of biographical documents or supplementary notes to his novels, as fully independent literary work in the light of post-modern critical theory. The author carefully examines how Lawrence needed to misread his precursors, the nineteenth-century Romantics, to establish himself as one of the modern poets. What separates his poetry from his precursors' is his self-consciousness as a modern poet. His search for radical freedom in language and his meta-poetic exploration of a new poetic expression make him a true pioneer of the "terra incognita" in English poetry. |
Dentro del libro
Resultados 1-5 de 44
Página 13
... perceiving an object for granted and give it little attention , but Lawrence , who is acutely aware of the limitations of the logical and analytical act of perception , struggles with how to overcome its limitations . The third chapter ...
... perceiving an object for granted and give it little attention , but Lawrence , who is acutely aware of the limitations of the logical and analytical act of perception , struggles with how to overcome its limitations . The third chapter ...
Página 18
... eye Which is the bliss of solitude , And then my heart with pleasure fills , And dances with the Daffodils . ( 11. 13-18 ) Page 19 What we should perceive here is that this Shin'ichiro Ishikawa , Poems of D. H. Lawrence.
... eye Which is the bliss of solitude , And then my heart with pleasure fills , And dances with the Daffodils . ( 11. 13-18 ) Page 19 What we should perceive here is that this Shin'ichiro Ishikawa , Poems of D. H. Lawrence.
Página 19
Shin'ichiro Ishikawa. Page 19 What we should perceive here is that this vision of daffodils , though it could be influenced by ephemeral inspiration , does not pass quickly , but is steadily fixed in the poet's textual world . For ...
Shin'ichiro Ishikawa. Page 19 What we should perceive here is that this vision of daffodils , though it could be influenced by ephemeral inspiration , does not pass quickly , but is steadily fixed in the poet's textual world . For ...
Página 24
... perceive the most delicate relationship between the poet's subjectivity and inspiration . For each of them , inspiration is crucial and indispensable in the act of poetry writing , but concerning how it should be treated , there seems ...
... perceive the most delicate relationship between the poet's subjectivity and inspiration . For each of them , inspiration is crucial and indispensable in the act of poetry writing , but concerning how it should be treated , there seems ...
Página 36
... perceive that it is also supported by his rhetorical strategy to call inspiration " my demon " with the possessive of the first person pronoun and to refer to it with the personal pronoun " he . " Inspiration has controlled his ...
... perceive that it is also supported by his rhetorical strategy to call inspiration " my demon " with the possessive of the first person pronoun and to refer to it with the personal pronoun " he . " Inspiration has controlled his ...
Contenido
7 | |
14 | |
THE POETS SEEK FOR A WAY TO APPROACH | 88 |
A STRATEGY TO OVERCOME LOGOCENTRICISM | 164 |
THE POETS RHETORICAL STRATEGY TO OVERCOME | 281 |
Términos y frases comunes
act of perception act of poetry ambiguity Amit Chaudhuri anti-language attention Beasts and Flowers Birds blue darkness blueness buffer zone colour terms Corot critics cypresses D. H. Lawrence Demon Liberated dichotomy Dylan Thomas element Etruria Etruscan Etruscan language expression feeling fish freedom in language Gail Porter Gail Porter Mandell Gentians Gilbert Hitoshi Kaneyama human includes the articles inspiration intuition Jillian de Vries-Mason John Keats Joyce Carol Oates Kaneyama Keats Keith Sagar kind Lawrence's poems light and darkness logical M. J. Lockwood Mackey modern moon mosquito Murfin negate object perceive Philip Hobsbaum poet poet's subjectivity poetic Poetry of D. H. poetry writing precursors realise Rita Saldanha Romantic Sandra Section seems seen semantic sense Ship of Death snake Song speaker stanza suggests symbol symbolises Takeo Iida textual Tom Marshall trees twilight viewpoint wind Women in Love words writes as follows 東京
Pasajes populares
Página 17 - Past the near meadows, over the still stream, Up the hill-side; and now 'tis buried deep In the next valley-glades: Was it a vision, or a waking dream?