An Exploration of a New Poetic Expression Beyond DichotomyUniversal-Publishers, 2004 - 404 páginas This study attempts to re-evaluate Lawrence's poetry, which has often been read as a set of biographical documents or supplementary notes to his novels, as fully independent literary work in the light of post-modern critical theory. The author carefully examines how Lawrence needed to misread his precursors, the nineteenth-century Romantics, to establish himself as one of the modern poets. What separates his poetry from his precursors' is his self-consciousness as a modern poet. His search for radical freedom in language and his meta-poetic exploration of a new poetic expression make him a true pioneer of the "terra incognita" in English poetry. |
Dentro del libro
Resultados 1-5 de 62
Página 11
... never just a personal biographical record . Even while writing personally , he seems to suggest something impersonal . Although he writes about the animals and plants which he sees , he often describes something abstract . This ...
... never just a personal biographical record . Even while writing personally , he seems to suggest something impersonal . Although he writes about the animals and plants which he sees , he often describes something abstract . This ...
Página 17
... never lasts long , however ecstatic and epiphany - like it may be . The speaker has flown high in the sky of imagination guided by a nightingale , but he is now excluded from the celestial realm with his own words " Forlorn ! " It ...
... never lasts long , however ecstatic and epiphany - like it may be . The speaker has flown high in the sky of imagination guided by a nightingale , but he is now excluded from the celestial realm with his own words " Forlorn ! " It ...
Página 20
... and my feet ? There's no way . Ah , nightingale , my voice Could never touch your spinning notes , Nor be so clear . ( 11. 1-10 ) Page 21 In the poem quoted above , the speaker Shin'ichiro Ishikawa , Poems of D. H. Lawrence.
... and my feet ? There's no way . Ah , nightingale , my voice Could never touch your spinning notes , Nor be so clear . ( 11. 1-10 ) Page 21 In the poem quoted above , the speaker Shin'ichiro Ishikawa , Poems of D. H. Lawrence.
Página 22
... take away your exotic plumage , Although your anger is not a slight thing , Take you into my own place Where the frost can never fall , Nor the petals of any flower drop . Page 23 Shin'ichiro Ishikawa , Poems of D. H. Lawrence.
... take away your exotic plumage , Although your anger is not a slight thing , Take you into my own place Where the frost can never fall , Nor the petals of any flower drop . Page 23 Shin'ichiro Ishikawa , Poems of D. H. Lawrence.
Página 23
... never fall , nor the petals of any flower shop . " We should notice that what makes inspiration lasting and perfect here is nothing but the poet's subjective act of creation . Thomas's absolute assurance as a subjective poet may remind ...
... never fall , nor the petals of any flower shop . " We should notice that what makes inspiration lasting and perfect here is nothing but the poet's subjective act of creation . Thomas's absolute assurance as a subjective poet may remind ...
Contenido
7 | |
14 | |
THE POETS SEEK FOR A WAY TO APPROACH | 88 |
A STRATEGY TO OVERCOME LOGOCENTRICISM | 164 |
THE POETS RHETORICAL STRATEGY TO OVERCOME | 281 |
Términos y frases comunes
act of perception act of poetry ambiguity Amit Chaudhuri anti-language attention Beasts and Flowers Birds blue darkness blueness buffer zone colour terms Corot critics cypresses D. H. Lawrence Demon Liberated dichotomy Dylan Thomas element Etruria Etruscan Etruscan language expression feeling fish freedom in language Gail Porter Gail Porter Mandell Gentians Gilbert Hitoshi Kaneyama human includes the articles inspiration intuition Jillian de Vries-Mason John Keats Joyce Carol Oates Kaneyama Keats Keith Sagar kind Lawrence's poems light and darkness logical M. J. Lockwood Mackey modern moon mosquito Murfin negate object perceive Philip Hobsbaum poet poet's subjectivity poetic Poetry of D. H. poetry writing precursors realise Rita Saldanha Romantic Sandra Section seems seen semantic sense Ship of Death snake Song speaker stanza suggests symbol symbolises Takeo Iida textual Tom Marshall trees twilight viewpoint wind Women in Love words writes as follows 東京
Pasajes populares
Página 17 - Past the near meadows, over the still stream, Up the hill-side; and now 'tis buried deep In the next valley-glades: Was it a vision, or a waking dream?