An Exploration of a New Poetic Expression Beyond DichotomyUniversal-Publishers, 2004 - 404 páginas This study attempts to re-evaluate Lawrence's poetry, which has often been read as a set of biographical documents or supplementary notes to his novels, as fully independent literary work in the light of post-modern critical theory. The author carefully examines how Lawrence needed to misread his precursors, the nineteenth-century Romantics, to establish himself as one of the modern poets. What separates his poetry from his precursors' is his self-consciousness as a modern poet. His search for radical freedom in language and his meta-poetic exploration of a new poetic expression make him a true pioneer of the "terra incognita" in English poetry. |
Dentro del libro
Resultados 1-5 de 39
Página 15
... generation Romantics , poems are generated beyond the control of the poet's mind , consciousness , and spirit : Page 16 Poetry , as has been said , in Shin'ichiro Ishikawa , Poems of D. H. Lawrence The Romantics' Views on Inspiration.
... generation Romantics , poems are generated beyond the control of the poet's mind , consciousness , and spirit : Page 16 Poetry , as has been said , in Shin'ichiro Ishikawa , Poems of D. H. Lawrence The Romantics' Views on Inspiration.
Página 16
... mind , and that its birth and recurrence has no necessary connexion with consciousness or will . ( Shelley's Poetry and Prose 534 ) The poet's creative mind is regarded as just " a fading coal " as shown in the extract below : A man ...
... mind , and that its birth and recurrence has no necessary connexion with consciousness or will . ( Shelley's Poetry and Prose 534 ) The poet's creative mind is regarded as just " a fading coal " as shown in the extract below : A man ...
Página 21
... mind . It might be true that Thomas has had some blessed moments of encountering inspiration , but it is too ephemeral and fragile for him . In the poem ' When Your Furious Motion ' ( Dylan Thomas : The Poems 232 ) , the poet writes as ...
... mind . It might be true that Thomas has had some blessed moments of encountering inspiration , but it is too ephemeral and fragile for him . In the poem ' When Your Furious Motion ' ( Dylan Thomas : The Poems 232 ) , the poet writes as ...
Página 32
... mind is more like a business man's , where he stands firm and keeps his eye open , than an artist's , who lets go and loses himself . But I daren't let go just ( Letters 1 : 488 ) now . This strain makes me tired . Lawrence tries to ...
... mind is more like a business man's , where he stands firm and keeps his eye open , than an artist's , who lets go and loses himself . But I daren't let go just ( Letters 1 : 488 ) now . This strain makes me tired . Lawrence tries to ...
Página 50
Lo sentimos, el contenido de esta página está restringido..
Lo sentimos, el contenido de esta página está restringido..
Contenido
7 | |
14 | |
THE POETS SEEK FOR A WAY TO APPROACH | 88 |
A STRATEGY TO OVERCOME LOGOCENTRICISM | 164 |
THE POETS RHETORICAL STRATEGY TO OVERCOME | 281 |
Términos y frases comunes
act of perception act of poetry ambiguity Amit Chaudhuri anti-language attention Beasts and Flowers Birds blue darkness blueness buffer zone colour terms Corot critics cypresses D. H. Lawrence Demon Liberated dichotomy Dylan Thomas element Etruria Etruscan Etruscan language expression feeling fish freedom in language Gail Porter Gail Porter Mandell Gentians Gilbert Hitoshi Kaneyama human includes the articles inspiration intuition Jillian de Vries-Mason John Keats Joyce Carol Oates Kaneyama Keats Keith Sagar kind Lawrence's poems light and darkness logical M. J. Lockwood Mackey modern moon mosquito Murfin negate object perceive Philip Hobsbaum poet poet's subjectivity poetic Poetry of D. H. poetry writing precursors realise Rita Saldanha Romantic Sandra Section seems seen semantic sense Ship of Death snake Song speaker stanza suggests symbol symbolises Takeo Iida textual Tom Marshall trees twilight viewpoint wind Women in Love words writes as follows 東京
Pasajes populares
Página 17 - Past the near meadows, over the still stream, Up the hill-side; and now 'tis buried deep In the next valley-glades: Was it a vision, or a waking dream?