An Exploration of a New Poetic Expression Beyond DichotomyUniversal-Publishers, 2004 - 404 páginas This study attempts to re-evaluate Lawrence's poetry, which has often been read as a set of biographical documents or supplementary notes to his novels, as fully independent literary work in the light of post-modern critical theory. The author carefully examines how Lawrence needed to misread his precursors, the nineteenth-century Romantics, to establish himself as one of the modern poets. What separates his poetry from his precursors' is his self-consciousness as a modern poet. His search for radical freedom in language and his meta-poetic exploration of a new poetic expression make him a true pioneer of the "terra incognita" in English poetry. |
Dentro del libro
Resultados 1-5 de 39
Página 4
... Conventional Language ... 185 3.4 Language as a Prison .......... 190 3.4.1 Language Confining Men : " Twilight ' .. 192 3.4.2 Language Suppressing Men Violently : ' Discord in Childhood ' .. 197 3.5 Language and Freedom 201 3.5.1 ...
... Conventional Language ... 185 3.4 Language as a Prison .......... 190 3.4.1 Language Confining Men : " Twilight ' .. 192 3.4.2 Language Suppressing Men Violently : ' Discord in Childhood ' .. 197 3.5 Language and Freedom 201 3.5.1 ...
Página 25
... poet's vacillation between " two discordant poetic selves " : his inner genius and his conventional taste and talent : Page 26 ... For one thing , the Shin'ichiro Ishikawa , Poems of D. H. Lawrence The Demon and the Young Man.
... poet's vacillation between " two discordant poetic selves " : his inner genius and his conventional taste and talent : Page 26 ... For one thing , the Shin'ichiro Ishikawa , Poems of D. H. Lawrence The Demon and the Young Man.
Página 26
... conventional in his tastes and talents ( " any young lady might have written them " ) and his conventionality , or his youth , makes him " uneasy " in the presence of his own genius or " demon . " We may define as the " demon , " on the ...
... conventional in his tastes and talents ( " any young lady might have written them " ) and his conventionality , or his youth , makes him " uneasy " in the presence of his own genius or " demon . " We may define as the " demon , " on the ...
Página 28
... conventional cliches and sentiments . Therefore , however attractive they may superficially look , they actually contain nothing real . The poet's summarization like this is not necessarily persuasive for us , the modern readers . For ...
... conventional cliches and sentiments . Therefore , however attractive they may superficially look , they actually contain nothing real . The poet's summarization like this is not necessarily persuasive for us , the modern readers . For ...
Página 42
Lo sentimos, el contenido de esta página está restringido..
Lo sentimos, el contenido de esta página está restringido..
Contenido
7 | |
14 | |
THE POETS SEEK FOR A WAY TO APPROACH | 88 |
A STRATEGY TO OVERCOME LOGOCENTRICISM | 164 |
THE POETS RHETORICAL STRATEGY TO OVERCOME | 281 |
Términos y frases comunes
act of perception act of poetry ambiguity Amit Chaudhuri anti-language attention Beasts and Flowers Birds blue darkness blueness buffer zone colour terms Corot critics cypresses D. H. Lawrence Demon Liberated dichotomy Dylan Thomas element Etruria Etruscan Etruscan language expression feeling fish freedom in language Gail Porter Gail Porter Mandell Gentians Gilbert Hitoshi Kaneyama human includes the articles inspiration intuition Jillian de Vries-Mason John Keats Joyce Carol Oates Kaneyama Keats Keith Sagar kind Lawrence's poems light and darkness logical M. J. Lockwood Mackey modern moon mosquito Murfin negate object perceive Philip Hobsbaum poet poet's subjectivity poetic Poetry of D. H. poetry writing precursors realise Rita Saldanha Romantic Sandra Section seems seen semantic sense Ship of Death snake Song speaker stanza suggests symbol symbolises Takeo Iida textual Tom Marshall trees twilight viewpoint wind Women in Love words writes as follows 東京
Pasajes populares
Página 17 - Past the near meadows, over the still stream, Up the hill-side; and now 'tis buried deep In the next valley-glades: Was it a vision, or a waking dream?