An Exploration of a New Poetic Expression Beyond DichotomyUniversal-Publishers, 2004 - 404 páginas This study attempts to re-evaluate Lawrence's poetry, which has often been read as a set of biographical documents or supplementary notes to his novels, as fully independent literary work in the light of post-modern critical theory. The author carefully examines how Lawrence needed to misread his precursors, the nineteenth-century Romantics, to establish himself as one of the modern poets. What separates his poetry from his precursors' is his self-consciousness as a modern poet. His search for radical freedom in language and his meta-poetic exploration of a new poetic expression make him a true pioneer of the "terra incognita" in English poetry. |
Dentro del libro
Resultados 1-5 de 44
Página 14
... something that we cannot control completely : and our ego gives place to an unnamed pronoun , which is not totally a you or a he . ( 143 ) Page 15 Thus , the inspiration , which Paz calls Shin'ichiro Ishikawa , Poems of D. H. Lawrence.
... something that we cannot control completely : and our ego gives place to an unnamed pronoun , which is not totally a you or a he . ( 143 ) Page 15 Thus , the inspiration , which Paz calls Shin'ichiro Ishikawa , Poems of D. H. Lawrence.
Página 15
Shin'ichiro Ishikawa. Page 15 Thus , the inspiration , which Paz calls " the other voice " and " an unnamed pronoun , " is respected and also adored by poets . However , easy absolutisation of it may lead to negation of the poet's " ego ...
Shin'ichiro Ishikawa. Page 15 Thus , the inspiration , which Paz calls " the other voice " and " an unnamed pronoun , " is respected and also adored by poets . However , easy absolutisation of it may lead to negation of the poet's " ego ...
Página 23
... calls his own place " where the frost can never fall , nor the petals of any flower shop . " We should notice that what makes inspiration lasting and perfect here is nothing but the poet's subjective act of creation . Thomas's absolute ...
... calls his own place " where the frost can never fall , nor the petals of any flower shop . " We should notice that what makes inspiration lasting and perfect here is nothing but the poet's subjective act of creation . Thomas's absolute ...
Página 25
... calls " foreword . " Although the preface ( CP 27-29 ) is better - ordered , the foreword ( CP 849-52 ) , which is approximately twice as long as the final one , seems to reflect the poet's delicate thought more directly . Therefore ...
... calls " foreword . " Although the preface ( CP 27-29 ) is better - ordered , the foreword ( CP 849-52 ) , which is approximately twice as long as the final one , seems to reflect the poet's delicate thought more directly . Therefore ...
Página 26
... calls a " creative self within the self ' of the poet , to his inner self . However , the demon which appears " out of no where , " or " out of a me " ( Foreword ) originates out of the poet's self . This implies that we should rather ...
... calls a " creative self within the self ' of the poet , to his inner self . However , the demon which appears " out of no where , " or " out of a me " ( Foreword ) originates out of the poet's self . This implies that we should rather ...
Contenido
7 | |
14 | |
THE POETS SEEK FOR A WAY TO APPROACH | 88 |
A STRATEGY TO OVERCOME LOGOCENTRICISM | 164 |
THE POETS RHETORICAL STRATEGY TO OVERCOME | 281 |
Términos y frases comunes
act of perception act of poetry ambiguity Amit Chaudhuri anti-language attention Beasts and Flowers Birds blue darkness blueness buffer zone colour terms Corot critics cypresses D. H. Lawrence Demon Liberated dichotomy Dylan Thomas element Etruria Etruscan Etruscan language expression feeling fish freedom in language Gail Porter Gail Porter Mandell Gentians Gilbert Hitoshi Kaneyama human includes the articles inspiration intuition Jillian de Vries-Mason John Keats Joyce Carol Oates Kaneyama Keats Keith Sagar kind Lawrence's poems light and darkness logical M. J. Lockwood Mackey modern moon mosquito Murfin negate object perceive Philip Hobsbaum poet poet's subjectivity poetic Poetry of D. H. poetry writing precursors realise Rita Saldanha Romantic Sandra Section seems seen semantic sense Ship of Death snake Song speaker stanza suggests symbol symbolises Takeo Iida textual Tom Marshall trees twilight viewpoint wind Women in Love words writes as follows 東京
Pasajes populares
Página 17 - Past the near meadows, over the still stream, Up the hill-side; and now 'tis buried deep In the next valley-glades: Was it a vision, or a waking dream?