An Exploration of a New Poetic Expression Beyond DichotomyUniversal-Publishers, 2004 - 404 páginas This study attempts to re-evaluate Lawrence's poetry, which has often been read as a set of biographical documents or supplementary notes to his novels, as fully independent literary work in the light of post-modern critical theory. The author carefully examines how Lawrence needed to misread his precursors, the nineteenth-century Romantics, to establish himself as one of the modern poets. What separates his poetry from his precursors' is his self-consciousness as a modern poet. His search for radical freedom in language and his meta-poetic exploration of a new poetic expression make him a true pioneer of the "terra incognita" in English poetry. |
Dentro del libro
Resultados 1-5 de 36
Página 12
... aware of the problematically illusory nature of language , will be engaged in a critical discourse from the start . We need to notice that meta poetry is essentially related to the poet's awareness of " the problematically illusory ...
... aware of the problematically illusory nature of language , will be engaged in a critical discourse from the start . We need to notice that meta poetry is essentially related to the poet's awareness of " the problematically illusory ...
Página 13
... aware of the limitations of the logical and analytical act of perception , struggles with how to overcome its limitations . The third chapter discusses the problem of language as a medium of poetry writing . Traditional poets regard ...
... aware of the limitations of the logical and analytical act of perception , struggles with how to overcome its limitations . The third chapter discusses the problem of language as a medium of poetry writing . Traditional poets regard ...
Página 27
... aware of existence of inspiration , but just continues to write similar sentimental poems . Then , at the final stage , he , as a matured poet , comes to write the pieces reflecting inspiration more directly . Firstly , we notice the ...
... aware of existence of inspiration , but just continues to write similar sentimental poems . Then , at the final stage , he , as a matured poet , comes to write the pieces reflecting inspiration more directly . Firstly , we notice the ...
Página 29
... aware of existence of inspiration , which gets hold of him and shakes real poems from him . However , he " is afraid of his demon and puts his hand Page 30 over the demon's mouth . " Therefore , Shin'ichiro Ishikawa , Poems of D. H. ...
... aware of existence of inspiration , which gets hold of him and shakes real poems from him . However , he " is afraid of his demon and puts his hand Page 30 over the demon's mouth . " Therefore , Shin'ichiro Ishikawa , Poems of D. H. ...
Página 40
Lo sentimos, el contenido de esta página está restringido..
Lo sentimos, el contenido de esta página está restringido..
Contenido
7 | |
14 | |
THE POETS SEEK FOR A WAY TO APPROACH | 88 |
A STRATEGY TO OVERCOME LOGOCENTRICISM | 164 |
THE POETS RHETORICAL STRATEGY TO OVERCOME | 281 |
Términos y frases comunes
act of perception act of poetry ambiguity Amit Chaudhuri anti-language attention Beasts and Flowers Birds blue darkness blueness buffer zone colour terms Corot critics cypresses D. H. Lawrence Demon Liberated dichotomy Dylan Thomas element Etruria Etruscan Etruscan language expression feeling fish freedom in language Gail Porter Gail Porter Mandell Gentians Gilbert Hitoshi Kaneyama human includes the articles inspiration intuition Jillian de Vries-Mason John Keats Joyce Carol Oates Kaneyama Keats Keith Sagar kind Lawrence's poems light and darkness logical M. J. Lockwood Mackey modern moon mosquito Murfin negate object perceive Philip Hobsbaum poet poet's subjectivity poetic Poetry of D. H. poetry writing precursors realise Rita Saldanha Romantic Sandra Section seems seen semantic sense Ship of Death snake Song speaker stanza suggests symbol symbolises Takeo Iida textual Tom Marshall trees twilight viewpoint wind Women in Love words writes as follows 東京
Pasajes populares
Página 17 - Past the near meadows, over the still stream, Up the hill-side; and now 'tis buried deep In the next valley-glades: Was it a vision, or a waking dream?