Shakespeare: an Existential ViewHill and Wang, 1965 - 134 páginas |
Dentro del libro
Resultados 1-3 de 18
Página 52
... Antony's romance - to invest the battle with historic meaning , and to make it really a test of value - is futile because the political world is corrupt beyond the redemptive power of the romantic impulse ; Caesar merely uses Antony's ...
... Antony's romance - to invest the battle with historic meaning , and to make it really a test of value - is futile because the political world is corrupt beyond the redemptive power of the romantic impulse ; Caesar merely uses Antony's ...
Página 63
... ANTONY : Nay , weep not , gentle Eros , there is left us Ourselves to end ourselves . But Antony's synthesis , with its promise of resolution , is far too simple for this complex world , and violates the sense of what has happened ...
... ANTONY : Nay , weep not , gentle Eros , there is left us Ourselves to end ourselves . But Antony's synthesis , with its promise of resolution , is far too simple for this complex world , and violates the sense of what has happened ...
Página 64
... Antony's tragedy has described - not that of a strong man with a weakness who cracks , but rather a man with two strengths . Second , in its intended emphasis , the image establishes the value that Cleopatra embodies in Antony's world ...
... Antony's tragedy has described - not that of a strong man with a weakness who cracks , but rather a man with two strengths . Second , in its intended emphasis , the image establishes the value that Cleopatra embodies in Antony's world ...
Contenido
Imagination and Perception | 3 |
Imagination and Realization | 25 |
Imagination and Redemption | 71 |
Derechos de autor | |
Otras 3 secciones no mostradas
Otras ediciones - Ver todas
Términos y frases comunes
absolute action answer Antony Antony and Cleopatra Antony's appearances appetite Beatrice's Benedick and Beatrice betrayal binding bond Borachio bounty Caesar central chaos Chiappe Claudio Cleopatra commitment commodity compassion confrontation CORDELIA death deed destruction Diomed Dogberry Don John Don Pedro Don Quixote Egypt Enobarbus Eros experience eyes fact faith false feast flesh Florizel Fulvia grace hath heart heaven Helen hence Hermione Hermione's Hero honour human human bonds imagination judgement kind king Lear Lear's Leontes lives lord lost lovers marriage Martin Buber meaning measure Merchant of Venice merely moral moreover nature noble notes passion perception Perdita Pericles perience perspective play Polixenes possibilities Prospero R. H. Tawney reality realization reason recognition relation romantic romantic love romanticism ROSALIND satiric says scepticism sense Shakespeare Shylock social spirit Tempest tension thee things thou art tion tragedy tragic transformation Troilus and Cressida Trojan truth vision word