All Semblative a Woman's Part?: Studies in the Staging of and Audience Response to Boy Actors in Sexual Disguise in the Elizabethan Theatre 1580-1615H. Gras, 1991 - 583 páginas |
Dentro del libro
Resultados 1-3 de 57
Página 205
... wooing and impersonation . In 3.3 Desdemona sketches their friendship in terms of a traditional romance friendship : Michael Cassio , That came a - wooing with you , and so many a time When I have spoke of you dispraisingly , Hath ta'en ...
... wooing and impersonation . In 3.3 Desdemona sketches their friendship in terms of a traditional romance friendship : Michael Cassio , That came a - wooing with you , and so many a time When I have spoke of you dispraisingly , Hath ta'en ...
Página 381
... wooing boy - Eurymine . The God Apollo , responsible for the sex- change , has to interfere in order to enable Ascanio to marry Eurymine . Points of contact with As You Like It are the references to demonological theory and disguise ...
... wooing boy - Eurymine . The God Apollo , responsible for the sex- change , has to interfere in order to enable Ascanio to marry Eurymine . Points of contact with As You Like It are the references to demonological theory and disguise ...
Página 394
... wooing scenes ( 2.2 , 2.3 ) , argues the probability of a romantic plotline . These allusions centre on Twelfth Night , 1.5 . The main reasons Shakespeare uses the wooing scenes from Every Man out of his Humour as a point of reference ...
... wooing scenes ( 2.2 , 2.3 ) , argues the probability of a romantic plotline . These allusions centre on Twelfth Night , 1.5 . The main reasons Shakespeare uses the wooing scenes from Every Man out of his Humour as a point of reference ...
Términos y frases comunes
action actor acts actually alludes ambiguous appears aspects audience awareness beauty becomes behaviour boy actor called Chapter character clear compared connected considered contains context course desire developed device direct discussed display effect elements Elizabethan English enters erotic example explain expressed female feminine final follows friendship Ganymede give given homosexual idea implies indicate instance interest interpretation joke Jonson kind Lady latter lines lover male marriage meaning mind Moreover nature object original particularly passion performance person play players possible present probably reason references reflect regards relationship remark Renaissance response role satire says scene seems sense sexual disguise Shakespeare shows situation social sodomy spectator stage story stress suggests symbolic taken theatre theatrical thinks thought tradition true turn Twelfth Night wants wife wish woman women wooing young