All Semblative a Woman's Part?: Studies in the Staging of and Audience Response to Boy Actors in Sexual Disguise in the Elizabethan Theatre 1580-1615H. Gras, 1991 - 583 páginas |
Dentro del libro
Resultados 1-3 de 89
Página 167
... turning Turk ' of Ward : he is converted to Islam in order to be able to marry a Turkish woman . The prologue ... turn'd Turke . " The play thus stages an aggressive fantasy of the subjected about its oppressor . It imagines the ...
... turning Turk ' of Ward : he is converted to Islam in order to be able to marry a Turkish woman . The prologue ... turn'd Turke . " The play thus stages an aggressive fantasy of the subjected about its oppressor . It imagines the ...
Página 273
... turn'd me woman like thyself ; / Shall thy sight never turn me man again ? " ( 2.1.37-39 ) . This may have been understood as a sign of disguise , but in the light of the connection between masculinity and femininity and reason and ...
... turn'd me woman like thyself ; / Shall thy sight never turn me man again ? " ( 2.1.37-39 ) . This may have been understood as a sign of disguise , but in the light of the connection between masculinity and femininity and reason and ...
Página 331
... TURN OF THE CENTURY 1. Choristers ' Plays Preliminary Hardly any sexual - disguise play from the years 1592-1599 has survived . From around the turn of the century productions have left more traces behind . This chapter deals with the ...
... TURN OF THE CENTURY 1. Choristers ' Plays Preliminary Hardly any sexual - disguise play from the years 1592-1599 has survived . From around the turn of the century productions have left more traces behind . This chapter deals with the ...
Términos y frases comunes
action actor acts actually alludes ambiguous appears aspects audience awareness beauty becomes behaviour boy actor called Chapter character clear compared connected considered contains context course desire developed device direct discussed display effect elements Elizabethan English enters erotic example explain expressed female feminine final follows friendship Ganymede give given homosexual idea implies indicate instance interest interpretation joke Jonson kind Lady latter lines lover male marriage meaning mind Moreover nature object original particularly passion performance person play players possible present probably reason references reflect regards relationship remark Renaissance response role satire says scene seems sense sexual disguise Shakespeare shows situation social sodomy spectator stage story stress suggests symbolic taken theatre theatrical thinks thought tradition true turn Twelfth Night wants wife wish woman women wooing young