All Semblative a Woman's Part?: Studies in the Staging of and Audience Response to Boy Actors in Sexual Disguise in the Elizabethan Theatre 1580-1615H. Gras, 1991 - 583 páginas |
Dentro del libro
Resultados 1-3 de 83
Página 7
... taken for a representation at the moment . Opera , Japanese traditional forms of theatre , and Commedia dell'Arte in its later forms work as such . They cause emotional response , which is always based on the relevance of the ...
... taken for a representation at the moment . Opera , Japanese traditional forms of theatre , and Commedia dell'Arte in its later forms work as such . They cause emotional response , which is always based on the relevance of the ...
Página 30
... taken for its whole . The Renaissance monarch could have been represented , for instance by a golden crown or by an effigy , but because of decorum not by a player . Social agreement is deeply involved here , for what is the difference ...
... taken for its whole . The Renaissance monarch could have been represented , for instance by a golden crown or by an effigy , but because of decorum not by a player . Social agreement is deeply involved here , for what is the difference ...
Página 44
... taken to indicate the person of the actor playing those characters in a way understandable to a contemporary audience . T.W. Baldwin used such references to determine Renaissance actors by their lines . These interpretations are often ...
... taken to indicate the person of the actor playing those characters in a way understandable to a contemporary audience . T.W. Baldwin used such references to determine Renaissance actors by their lines . These interpretations are often ...
Términos y frases comunes
action actor acts actually alludes ambiguous appears aspects audience awareness beauty becomes behaviour boy actor called Chapter character clear compared connected considered contains context course desire developed device direct discussed display effect elements Elizabethan English enters erotic example explain expressed female feminine final follows friendship Ganymede give given homosexual idea implies indicate instance interest interpretation joke Jonson kind Lady latter lines lover male marriage meaning mind Moreover nature object original particularly passion performance person play players possible present probably reason references reflect regards relationship remark Renaissance response role satire says scene seems sense sexual disguise Shakespeare shows situation social sodomy spectator stage story stress suggests symbolic taken theatre theatrical thinks thought tradition true turn Twelfth Night wants wife wish woman women wooing young