All Semblative a Woman's Part?: Studies in the Staging of and Audience Response to Boy Actors in Sexual Disguise in the Elizabethan Theatre 1580-1615H. Gras, 1991 - 583 páginas |
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Página 62
... social equalizer , death ( 5.1.74-115 ) , and the fool's skull ( 11. 169-89 ) make him aware that all earthly roles are only shapes , played before God . Because reality is layered , not even the fool escapes from the temporality of his ...
... social equalizer , death ( 5.1.74-115 ) , and the fool's skull ( 11. 169-89 ) make him aware that all earthly roles are only shapes , played before God . Because reality is layered , not even the fool escapes from the temporality of his ...
Página 77
... social group , and in the last masquers are both socially superior to Chamberlain and , possessing power and patronage , important to the well - being of his circle . Differentiation of social status is not made explicit by Chamberlain ...
... social group , and in the last masquers are both socially superior to Chamberlain and , possessing power and patronage , important to the well - being of his circle . Differentiation of social status is not made explicit by Chamberlain ...
Página 438
... social reality ' and in fiction , at best described as a society's mental reality or socialized fantasy . individual appearances these forms often show different functions , significances , and implications . Moreover , participants in ...
... social reality ' and in fiction , at best described as a society's mental reality or socialized fantasy . individual appearances these forms often show different functions , significances , and implications . Moreover , participants in ...
Términos y frases comunes
action actor acts actually alludes ambiguous appears aspects audience awareness beauty becomes behaviour boy actor called Chapter character clear compared connected considered contains context course desire developed device direct discussed display effect elements Elizabethan English enters erotic example explain expressed female feminine final follows friendship Ganymede give given homosexual idea implies indicate instance interest interpretation joke Jonson kind Lady latter lines lover male marriage meaning mind Moreover nature object original particularly passion performance person play players possible present probably reason references reflect regards relationship remark Renaissance response role satire says scene seems sense sexual disguise Shakespeare shows situation social sodomy spectator stage story stress suggests symbolic taken theatre theatrical thinks thought tradition true turn Twelfth Night wants wife wish woman women wooing young