All Semblative a Woman's Part?: Studies in the Staging of and Audience Response to Boy Actors in Sexual Disguise in the Elizabethan Theatre 1580-1615H. Gras, 1991 - 583 páginas |
Dentro del libro
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Página 389
... scene , too , does not yield much about Cesario's identity , as compared , for instance , to Gl'Ingannati . Although Cesario's femininity is displayed , the scene also plays on Orsino's effeminacy . The passionate Duke lost his reason ...
... scene , too , does not yield much about Cesario's identity , as compared , for instance , to Gl'Ingannati . Although Cesario's femininity is displayed , the scene also plays on Orsino's effeminacy . The passionate Duke lost his reason ...
Página 390
... scene in 3.4 that Cesario is a woman , and " how much I lack of a man " ( 308-09 ) has some suggestion of bawdy , the context of such duel - scenes around 1600 might also recall another kind of joking . There was a duel scene in Every ...
... scene in 3.4 that Cesario is a woman , and " how much I lack of a man " ( 308-09 ) has some suggestion of bawdy , the context of such duel - scenes around 1600 might also recall another kind of joking . There was a duel scene in Every ...
Página 451
... scene and the subsequent dialogue between Lenox , Macduff , and Macbeth suggest the unruly night which follows the murder ( Macbeth has killed sleep ) . Macbeth at his re - entrance ( 2.3.88 ) , having killed the servants , may have ...
... scene and the subsequent dialogue between Lenox , Macduff , and Macbeth suggest the unruly night which follows the murder ( Macbeth has killed sleep ) . Macbeth at his re - entrance ( 2.3.88 ) , having killed the servants , may have ...
Términos y frases comunes
action aggression alludes ambiguous Antonio appears Arcadia audience bawdy behaviour boy actor boy players Burbage Cesario Chapter Choristers Clamydes Clyomon comedy context Cynthia's Revels denigration desire device dialogue disguise plays disguised character disguised heroine display drama effeminate elements Elizabethan erotic eroticism fantasy female character feminine friendship gallant Gallathea Ganymede Gentlemen of Verona gull hermaphrodite Heywood homoerotic homoeroticism homosexual Honest Man's Fortune Humour idea implies ingle joke Jonson Julia Lady like-will-to-like literary lover lust Maid's Metamorphosis male male-male marriage masculine Moreover Musidorus Neronis Orlando Orpheus Orsino Parismus particularly passion pederasty performance person Philaster play's players Pollipus prefixes probably Proteus Pyrocles references reified relationship Renaissance Revels role romance Rosalind satire says scene Sebastian sense sexual disguise sexual-disguise plays Shakespeare Sidney's Silvia social sodomy spectator stage directions story stress suggests symbolic theatre theatrical thou thought tradition transvestism Twelfth Night Veramour Violetta wife woman women wooing Zelmane