All Semblative a Woman's Part?: Studies in the Staging of and Audience Response to Boy Actors in Sexual Disguise in the Elizabethan Theatre 1580-1615H. Gras, 1991 - 583 páginas |
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Página 250
... regards one another and as regards women . ' One cannot stop at festivity to explain features in fiction because it is obvious that festive symbolism develops from more basic classifications in a given culture . In early modern England ...
... regards one another and as regards women . ' One cannot stop at festivity to explain features in fiction because it is obvious that festive symbolism develops from more basic classifications in a given culture . In early modern England ...
Página 329
... regards ambiguous boyish erotic actions , and from Edward II as regards the killing of Dinon . The revision is likely to have occurred after Dido and Edward II , and thus after 1592. We cannot say where and how often the Chapel Royal ...
... regards ambiguous boyish erotic actions , and from Edward II as regards the killing of Dinon . The revision is likely to have occurred after Dido and Edward II , and thus after 1592. We cannot say where and how often the Chapel Royal ...
Página 489
... regards his milieu and fortunes not an uncommon fate for Elizabethan intellectuals ) as ' unnatural ' in the sexual sense . In this respect the regard for handsomeness generally should be taken into account . Even so stern a Puritan ...
... regards his milieu and fortunes not an uncommon fate for Elizabethan intellectuals ) as ' unnatural ' in the sexual sense . In this respect the regard for handsomeness generally should be taken into account . Even so stern a Puritan ...
Términos y frases comunes
action actor acts actually alludes ambiguous appears aspects audience awareness beauty becomes behaviour boy actor called Chapter character clear compared connected considered contains context course desire developed device direct discussed display effect elements Elizabethan English enters erotic example explain expressed female feminine final follows friendship Ganymede give given homosexual idea implies indicate instance interest interpretation joke Jonson kind Lady latter lines lover male marriage meaning mind Moreover nature object original particularly passion performance person play players possible present probably reason references reflect regards relationship remark Renaissance response role satire says scene seems sense sexual disguise Shakespeare shows situation social sodomy spectator stage story stress suggests symbolic taken theatre theatrical thinks thought tradition true turn Twelfth Night wants wife wish woman women wooing young