All Semblative a Woman's Part?: Studies in the Staging of and Audience Response to Boy Actors in Sexual Disguise in the Elizabethan Theatre 1580-1615H. Gras, 1991 - 583 páginas |
Dentro del libro
Resultados 1-3 de 65
Página 32
... reflect on a theatrical character as if it were an author's rhetorical device would neglect the actor at the expense of the character . There is no difference made between the dramatic character and the theatrical character . A stress ...
... reflect on a theatrical character as if it were an author's rhetorical device would neglect the actor at the expense of the character . There is no difference made between the dramatic character and the theatrical character . A stress ...
Página 47
... reflect the practice ( by the Pembroke's Men only ? ) of having the one keeper speak the lines . The scene is ... reflects an actor at all , the origin may have been due to the circumstance of figuring out who should double the part ...
... reflect the practice ( by the Pembroke's Men only ? ) of having the one keeper speak the lines . The scene is ... reflects an actor at all , the origin may have been due to the circumstance of figuring out who should double the part ...
Página 230
... reflect the historical life of that person ? And furthermore , do they reflect a real action in which not only the dedicatee , but also the poet was involved ? In other words , how ( auto- ) biographical are the sonnets ? If the sonnets ...
... reflect the historical life of that person ? And furthermore , do they reflect a real action in which not only the dedicatee , but also the poet was involved ? In other words , how ( auto- ) biographical are the sonnets ? If the sonnets ...
Términos y frases comunes
action actor acts actually alludes ambiguous appears aspects audience awareness beauty becomes behaviour boy actor called Chapter character clear compared connected considered contains context course desire developed device direct discussed display effect elements Elizabethan English enters erotic example explain expressed female feminine final follows friendship Ganymede give given homosexual idea implies indicate instance interest interpretation joke Jonson kind Lady latter lines lover male marriage meaning mind Moreover nature object original particularly passion performance person play players possible present probably reason references reflect regards relationship remark Renaissance response role satire says scene seems sense sexual disguise Shakespeare shows situation social sodomy spectator stage story stress suggests symbolic taken theatre theatrical thinks thought tradition true turn Twelfth Night wants wife wish woman women wooing young