All Semblative a Woman's Part?: Studies in the Staging of and Audience Response to Boy Actors in Sexual Disguise in the Elizabethan Theatre 1580-1615H. Gras, 1991 - 583 páginas |
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Página 113
... passion ( connected foremost with the eye ) were also explained by this psychology in terms of male and female . Passions aroused by music , for instance , according to Wright , were " effeminate affections " . For musicke pacifieth the ...
... passion ( connected foremost with the eye ) were also explained by this psychology in terms of male and female . Passions aroused by music , for instance , according to Wright , were " effeminate affections " . For musicke pacifieth the ...
Página 114
... passion with passivity ( in the now obsolete sense of being subject to others ' actions instead of being a mover ) . The female's proneness to passion is linked with her supposedly sexual passivity , whereas the man should be a mover ...
... passion with passivity ( in the now obsolete sense of being subject to others ' actions instead of being a mover ) . The female's proneness to passion is linked with her supposedly sexual passivity , whereas the man should be a mover ...
Página 378
... passion by reason . In Ripa's Iconologia , bridled lions are compared to conquered passions . In Pers's translation Heerschappye sijns selfs is depicted as a man riding a lion , while he bridles the beast with one hand and pricks it ...
... passion by reason . In Ripa's Iconologia , bridled lions are compared to conquered passions . In Pers's translation Heerschappye sijns selfs is depicted as a man riding a lion , while he bridles the beast with one hand and pricks it ...
Términos y frases comunes
action actor acts actually alludes ambiguous appears aspects audience awareness beauty becomes behaviour boy actor called Chapter character clear compared connected considered contains context course desire developed device direct discussed display effect elements Elizabethan English enters erotic example explain expressed female feminine final follows friendship Ganymede give given homosexual idea implies indicate instance interest interpretation joke Jonson kind Lady latter lines lover male marriage meaning mind Moreover nature object original particularly passion performance person play players possible present probably reason references reflect regards relationship remark Renaissance response role satire says scene seems sense sexual disguise Shakespeare shows situation social sodomy spectator stage story stress suggests symbolic taken theatre theatrical thinks thought tradition true turn Twelfth Night wants wife wish woman women wooing young