All Semblative a Woman's Part?: Studies in the Staging of and Audience Response to Boy Actors in Sexual Disguise in the Elizabethan Theatre 1580-1615H. Gras, 1991 - 583 páginas |
Dentro del libro
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Página 124
... original and inserted replacements . This replacement can be regarded as a secondary act of post - processing ( which I deliberately parallel with the acts of dream - work in a Freudian sense ) . It replaces the original in a way which ...
... original and inserted replacements . This replacement can be regarded as a secondary act of post - processing ( which I deliberately parallel with the acts of dream - work in a Freudian sense ) . It replaces the original in a way which ...
Página 256
... original and assumed identities alternate to indicate the uncertainty . In the original story in Boccaccio's Decamerone , II . ix , Zinevra " altered the doublet , shortening it to make it fit . She also converted her shift into a pair ...
... original and assumed identities alternate to indicate the uncertainty . In the original story in Boccaccio's Decamerone , II . ix , Zinevra " altered the doublet , shortening it to make it fit . She also converted her shift into a pair ...
Página 327
... original plot where Alexandra murders Dinon is changed and a page boy in female disguise murders Dinon . The change may even have meant an original , female servant becoming the male Libanio . It deliberately tried for more eroticism ...
... original plot where Alexandra murders Dinon is changed and a page boy in female disguise murders Dinon . The change may even have meant an original , female servant becoming the male Libanio . It deliberately tried for more eroticism ...
Términos y frases comunes
action actor acts actually alludes ambiguous appears aspects audience awareness beauty becomes behaviour boy actor called Chapter character clear compared connected considered contains context course desire developed device direct discussed display effect elements Elizabethan English enters erotic example explain expressed female feminine final follows friendship Ganymede give given homosexual idea implies indicate instance interest interpretation joke Jonson kind Lady latter lines lover male marriage meaning mind Moreover nature object original particularly passion performance person play players possible present probably reason references reflect regards relationship remark Renaissance response role satire says scene seems sense sexual disguise Shakespeare shows situation social sodomy spectator stage story stress suggests symbolic taken theatre theatrical thinks thought tradition true turn Twelfth Night wants wife wish woman women wooing young