All Semblative a Woman's Part?: Studies in the Staging of and Audience Response to Boy Actors in Sexual Disguise in the Elizabethan Theatre 1580-1615H. Gras, 1991 - 583 páginas |
Dentro del libro
Resultados 1-3 de 82
Página 328
... lines as ( Al :) " Where onely I and that Libanio staide " ( 1.737 ) , would remove the somewhat off - handed " that , read ( Lib :) ' Where only I and Alexandra stayed ' . In the same way Or else Libanio , his [ Gobryas ' ] beloved ...
... lines as ( Al :) " Where onely I and that Libanio staide " ( 1.737 ) , would remove the somewhat off - handed " that , read ( Lib :) ' Where only I and Alexandra stayed ' . In the same way Or else Libanio , his [ Gobryas ' ] beloved ...
Página 407
... line Macilente spoke about two hundred lines earlier . But Cordatus ' rendering of the line , " I envie not this Buffon , but I hate him " ( 11. 181-82 ) , is not itself an accurate quotation ( compare 1.2.227 and 229 ) . Mitis should ...
... line Macilente spoke about two hundred lines earlier . But Cordatus ' rendering of the line , " I envie not this Buffon , but I hate him " ( 11. 181-82 ) , is not itself an accurate quotation ( compare 1.2.227 and 229 ) . Mitis should ...
Página 417
... lines 34-37 with a kind of translation , a guidance to response , which tends to leave out the sexual implications of the lines . " There is mention of a double " killing . " " Murder - love - servant , " in Antonio's lines , " to undo ...
... lines 34-37 with a kind of translation , a guidance to response , which tends to leave out the sexual implications of the lines . " There is mention of a double " killing . " " Murder - love - servant , " in Antonio's lines , " to undo ...
Términos y frases comunes
action actor acts actually alludes ambiguous appears aspects audience awareness beauty becomes behaviour boy actor called Chapter character clear compared connected considered contains context course desire developed device direct discussed display effect elements Elizabethan English enters erotic example explain expressed female feminine final follows friendship Ganymede give given homosexual idea implies indicate instance interest interpretation joke Jonson kind Lady latter lines lover male marriage meaning mind Moreover nature object original particularly passion performance person play players possible present probably reason references reflect regards relationship remark Renaissance response role satire says scene seems sense sexual disguise Shakespeare shows situation social sodomy spectator stage story stress suggests symbolic taken theatre theatrical thinks thought tradition true turn Twelfth Night wants wife wish woman women wooing young