All Semblative a Woman's Part?: Studies in the Staging of and Audience Response to Boy Actors in Sexual Disguise in the Elizabethan Theatre 1580-1615H. Gras, 1991 - 583 páginas |
Dentro del libro
Resultados 1-3 de 62
Página 106
... influenced by literature . Three examples will be analysed more fully in Appendix 4. The sexual disguises considered there ( Arabella Stuart , Moll Cutpurse , Prince James ) , which today would be considered hardly sufficient , were ...
... influenced by literature . Three examples will be analysed more fully in Appendix 4. The sexual disguises considered there ( Arabella Stuart , Moll Cutpurse , Prince James ) , which today would be considered hardly sufficient , were ...
Página 115
... influenced perception in either the broad or the literal sense . Particularly in the Renaissance similarity between brothers and between brothers and sisters was developed into a specific literary topic , which with brother - and ...
... influenced perception in either the broad or the literal sense . Particularly in the Renaissance similarity between brothers and between brothers and sisters was developed into a specific literary topic , which with brother - and ...
Página 292
... influenced by knowledge of the character's name . Thus Cesario is known by name in Twelfth Night , but Viola is not ( until the final lines of the play ) . In As You Like It the boyishness of the disguised Rosalind could have been ...
... influenced by knowledge of the character's name . Thus Cesario is known by name in Twelfth Night , but Viola is not ( until the final lines of the play ) . In As You Like It the boyishness of the disguised Rosalind could have been ...
Términos y frases comunes
action actor acts actually alludes ambiguous appears aspects audience awareness beauty becomes behaviour boy actor called Chapter character clear compared connected considered contains context course desire developed device direct discussed display effect elements Elizabethan English enters erotic example explain expressed female feminine final follows friendship Ganymede give given homosexual idea implies indicate instance interest interpretation joke Jonson kind Lady latter lines lover male marriage meaning mind Moreover nature object original particularly passion performance person play players possible present probably reason references reflect regards relationship remark Renaissance response role satire says scene seems sense sexual disguise Shakespeare shows situation social sodomy spectator stage story stress suggests symbolic taken theatre theatrical thinks thought tradition true turn Twelfth Night wants wife wish woman women wooing young