All Semblative a Woman's Part?: Studies in the Staging of and Audience Response to Boy Actors in Sexual Disguise in the Elizabethan Theatre 1580-1615H. Gras, 1991 - 583 páginas |
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Página 111
... feminine references to " Diana's lip " ( 1. 31 ) do not necessarily refer to the disguised lady hiding behind Cesario's dress . When Orsino remarks that Cesario is " all semblative a woman's part " ( 1.34 ) and therefore best able to ...
... feminine references to " Diana's lip " ( 1. 31 ) do not necessarily refer to the disguised lady hiding behind Cesario's dress . When Orsino remarks that Cesario is " all semblative a woman's part " ( 1.34 ) and therefore best able to ...
Página 113
... feminine passions to ( dominant ) manly will and reason is illustrated by A. Brooke's Romeus and Juliet ( translated 1562 from Boiastuau's rendering of Bandello ) : Art thou , quoth he , a man ? thy shape saith so thou art : Thy crying ...
... feminine passions to ( dominant ) manly will and reason is illustrated by A. Brooke's Romeus and Juliet ( translated 1562 from Boiastuau's rendering of Bandello ) : Art thou , quoth he , a man ? thy shape saith so thou art : Thy crying ...
Página 114
... feminine for their will followed Fancy at the expense of Reason ( see below , Chapter VI ) . These categories are linked to the female qualities of the beautiful male . For the beauty of fictive male heroes , perceived mainly by the ...
... feminine for their will followed Fancy at the expense of Reason ( see below , Chapter VI ) . These categories are linked to the female qualities of the beautiful male . For the beauty of fictive male heroes , perceived mainly by the ...
Términos y frases comunes
action actor acts actually alludes ambiguous appears aspects audience awareness beauty becomes behaviour boy actor called Chapter character clear compared connected considered contains context course desire developed device direct discussed display effect elements Elizabethan English enters erotic example explain expressed female feminine final follows friendship Ganymede give given homosexual idea implies indicate instance interest interpretation joke Jonson kind Lady latter lines lover male marriage meaning mind Moreover nature object original particularly passion performance person play players possible present probably reason references reflect regards relationship remark Renaissance response role satire says scene seems sense sexual disguise Shakespeare shows situation social sodomy spectator stage story stress suggests symbolic taken theatre theatrical thinks thought tradition true turn Twelfth Night wants wife wish woman women wooing young