All Semblative a Woman's Part?: Studies in the Staging of and Audience Response to Boy Actors in Sexual Disguise in the Elizabethan Theatre 1580-1615H. Gras, 1991 - 583 páginas |
Dentro del libro
Resultados 1-3 de 92
Página 79
... female characters disguising as men , played by boys ? Two issues are crucial here : whether the Elizabethans responded to female characters as reified women ; and whether with sexually disguised characters an Elizabethan audience kept ...
... female characters disguising as men , played by boys ? Two issues are crucial here : whether the Elizabethans responded to female characters as reified women ; and whether with sexually disguised characters an Elizabethan audience kept ...
Página 127
... female are entirely different : the male standing for reason , the female for passion . Yet such thoughts would oversimplify the issue for two reasons . First , they oversimplify at the most basic semantic level : ' love ' , in early ...
... female are entirely different : the male standing for reason , the female for passion . Yet such thoughts would oversimplify the issue for two reasons . First , they oversimplify at the most basic semantic level : ' love ' , in early ...
Página 431
... female parts in England was also noticeable at the Universities . The documents considered in Chapter III testify to this . Carlton compares female impersonation at the University of Leiden in the Netherlands with English university ...
... female parts in England was also noticeable at the Universities . The documents considered in Chapter III testify to this . Carlton compares female impersonation at the University of Leiden in the Netherlands with English university ...
Términos y frases comunes
action actor acts actually alludes ambiguous appears aspects audience awareness beauty becomes behaviour boy actor called Chapter character clear compared connected considered contains context course desire developed device direct discussed display effect elements Elizabethan English enters erotic example explain expressed female feminine final follows friendship Ganymede give given homosexual idea implies indicate instance interest interpretation joke Jonson kind Lady latter lines lover male marriage meaning mind Moreover nature object original particularly passion performance person play players possible present probably reason references reflect regards relationship remark Renaissance response role satire says scene seems sense sexual disguise Shakespeare shows situation social sodomy spectator stage story stress suggests symbolic taken theatre theatrical thinks thought tradition true turn Twelfth Night wants wife wish woman women wooing young